An omnibus featuring three Noel Coward tales, long on Coward humor which is to say very little at all, with the first, " The Red Peppers", featuring Kay Walsh, Ted Ray, Martita Hunt, Frank ... See full summary »
Ambitious poor relation Blanche Fullerton accepts a job as governess from her wealthy cousins who have adopted the name Fury since they acquired the ancestral home of the Fury family. ... See full summary »
For the last four years Margaret Holt has been helping her brother, assistant D.A. Victor Holt, to try to bring down the dope dealing Schemer Marko gang. Margaret kills Marko (aka 'James ... See full summary »
A mystery thriller set aboard the Orient Express bound for Istanbul. A girl is blackmailed into throwing a bomb at the president of a fictional Balkan state with the intention of starting another major war.
In 1840 two rival steamship companies race to see who should have the best cargo between England and America. Two brothers are involved, one on each ship. Written by
Steve Crook <email@example.com>
SONS OF THE SEA aka Atlantic FERRY (1941) is another of those hands across the seas pictures meant too solidify the relationship of Great Britain and the U.S.A. Though a Warner Brothers (WB) release this is a British production and the cast reflects this as well as the rather 'cheesy' production values. If you can ignore its technical short-comings the cast does a fine job. Lead by Michael Redgrave, who is a little too much 'stiff upper lip' and the luminous Valerie Hobson, who never disappoints.
If the plot of the development of trans-Atlantic Steam-Ship travel seems familiar, it is. Two (2) years earlier Paramount released RULERS OF THE SEA (1939) featuring Douglas Fairbanks Jr. and Margaret Lockwood as the romantic leads. Which we also rate IMDb******Six (6). Its main advantage was having Gordon Jennings head of the SFX department at Paramount and that Mr. Fairbanks Jr. is a FAR more engaging lover then Mr. Redgrave. If his lack of 'sex-appeal' had been typical of Englishmen the Country would be depopulated!
Both films are a enjoyable matinée watch and if you can view them 'back to back' you will see the contrast in production styles. The WB did not invest as much into their production as did Paramount. Neither are 'classics', but worth watching every few years.
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