Goofy shows us how to swim, first using a piano stool to demonstrate the strokes, right into the middle of traffic and back again. Next, Goofy tries to change in a tiny beachhouse and ends ... See full summary »
Goofy has to get a box belonging to a magician in time for the next train to pick the baggage. Clumsy Goofy drops the box and a lot of magician's props (a rabbit which multiplies, a bull, a woman sawed in half) appear.
It's a peaceful day at the local poultry farm until Foxy Loxy happens along intent on a chicken dinner. He takes the advice of a book on psychology by striking "the least intelligent" first... See full summary »
Donald hears a radio philosopher advise to laugh and count ten when he gets angry. He tries it successfully, then settles into his hammock for a nap. Between a caterpillar and the hen ... See full summary »
Goofy, staying at the Sugar Bowl resort, demonstrates the basics of downhill skiing, which the titles and announcer insist is pronounced "SHEEing". The equipment is, of course, of the era. ... See full summary »
The hen is looking for someone to help her plant her corn. Peter Pig and Donald Duck both feign belly aches to get out of the chore. So, with help from her chicks, she plants it herself. ... See full summary »
Goofy aptly demonstrates THE ART OF SELF DEFENSE throughout the Ages.
Pugilism comes in for a gentle ribbing in this amusing little film. Goofy proves to be as adept at fisticuffs as he is at most everything else in his befuddled life. John McLeish narrates in his best documentarian manner.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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