Goofy has to get a box belonging to a magician in time for the next train to pick the baggage. Clumsy Goofy drops the box and a lot of magician's props (a rabbit which multiplies, a bull, a woman sawed in half) appear.
Goofy shows us the national pastime. After a brief overview, we have a demonstration of the many possible pitches. On to the World Series, where we go through an eventful inning, ... See full summary »
Goofy is a circus attendant who is friends with Dolores the elephant. Today is his day to bathe Dolores but Dolores is not intent on being bathed and tries desparately to avoid Goofy even ... See full summary »
After several long days at work, Goofy finally takes a much needed vacation. However, his trip never quite gets off the ground mainly because he spends most of it stuck behind a slow moving... See full summary »
Goofy, staying at the Sugar Bowl resort, demonstrates the basics of downhill skiing, which the titles and announcer insist is pronounced "SHEEing". The equipment is, of course, of the era. ... See full summary »
As the narrator explains, educating children is one of the most important things today and the heroic man who takes on this role is "the school teacher" (Goofy, naturally). After taking ... See full summary »
Goofy shows us how to swim, first using a piano stool to demonstrate the strokes, right into the middle of traffic and back again. Next, Goofy tries to change in a tiny beachhouse and ends ... See full summary »
Big game hunter Goofy is riding his trusty elephant in search of a tiger. Unfortunately, while they are stopped for lunch, the tiger finds them, and soon enough, Goofy is separated from his... See full summary »
Goofy goes duck hunting hoping to catch one for a duck dinner. However, he mixes up a real duck with his duck decoy, gets his pants filled with water, gets water in his gun, and has various... See full summary »
Goofy aptly demonstrates THE ART OF SELF DEFENSE throughout the Ages.
Pugilism comes in for a gentle ribbing in this amusing little film. Goofy proves to be as adept at fisticuffs as he is at most everything else in his befuddled life. John McLeish narrates in his best documentarian manner.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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