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Among the Living (1941)

6.6
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Ratings: 6.6/10 from 274 users  
Reviews: 12 user | 7 critic

A mentally unstable man, who has been kept in isolation for years, escapes and causes trouble for his identical twin brother.

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(screenplay), (screenplay), 2 more credits »
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Title: Among the Living (1941)

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Cast

Complete credited cast:
...
John Raden / Paul Raden
...
Millie Pickens
...
Dr. Ben Saunders
...
Elaine Raden
Gordon Jones ...
Bill Oakley
Jean Phillips ...
Peggy Nolan
Ernest Whitman ...
Pompey
Maude Eburne ...
Mrs. Pickens
Frank M. Thomas ...
Sheriff
Harlan Briggs ...
Judge
Archie Twitchell ...
Tom Reilly
...
Woman in Cafe
William Stack ...
Minister
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Storyline

Paul Raden (Albert Dekker), hopelessly insane son of Maxim Raden, hated owner of the Radentown mills, is in a strait jacket in a secret room in the family mansion, while the body of his father is lowered into a grave. Twenty-five years earlier, the brutal father had hurled Paul against a wall when the young boy had tried to defend his mother and, with his brain injured forever, Paul's last memory, before descending into the shadows on insanity, was his mother's agonized scream. At the graveside are Dr. Ben Saunders (Harry Carey), Paul's twin brother John (Albert Dekker) and John's wife Elaine (Frances Farmer). Pompey (Ernest Whitman'), the family servant who has cared for and guarded Paul and kept the family secret for a quarter of a century,watches from afar. That night Dr. Saunders tells John that his twin, who he thought dead, is alive as the father, refusing to commit him to an institution, had bribed the doctor to sign a false death certificate and then bury another child's body ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Plot Keywords:

father | twins | murder | mother | brother | See All (55) »

Taglines:

What horrible fascination did this monster have for women?


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

19 December 1941 (USA)  »

Also Known As:

A Herança do Ódio  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)|

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Quotes

Mrs. Pickens: I had one of them Frenchmen living here last year. Honest to goodness every time you'd turn 'round, that Frenchman was grabbin' your hand and kissing until he'd like to pull the skin off.
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User Reviews

 
"I guess you want me, don't you, Andy?"
26 June 2009 | by (Australia) – See all my reviews

'Among the Living (1941)' sits in the middle-ground between film noir and horror. The horror elements are obvious: the use of twins, representing the duality of man, recalls a more literal take on the themes of Stevenson's "Dr Jekyll and Mr Hyde." But even the "evil" twin himself is not a monster, as he is often described. Like Frankenstein's Creature, he is merely a social outcast, corrupted by the abuse of the true monsters, and who ultimately finds it impossible to assimilate into society. Like a frightened animal, Paul Raden struggles to understand the violent, cynical world in which he's been thrust, and the injustices knowingly done to him, combined with the years of abuse he endured at the hands of a dominating father, lead him to murder out of sheer terror. In many ways, Paul resembles the character of Lennie in Steinbeck's "Of Mice and Men," a simpleton with a brutish strength that he can't reconcile with his own child-like desires.

Though one would stop short of calling this a film noir, there are certainly traces of the necessary elements. Most prominent is the theme of hidden family secrets, of a shameful past coming back to haunt wrongdoers, as in 'The Strange Love of Martha Ivers (1946).' The corruptive influence of power is also referenced – as in the latter film, the primary sinner of 'Among the Living' (Raden, Sr., who is dead by the film's beginning) resides in a town that bears his name. The viewer can draw two conclusions: either that only through committing sin can a man attain power, or that from power itself is borne the desire to perpetrate crime, for he now has the means to conceal his misconduct. The latter is certainly true for the otherwise-respectable Dr. Saunders (Harry Carey), who – just once – compromised his professional integrity, and, twenty-five years later, finds that this one transgression has blackened his soul and destroyed his future.

John Raden (Albert Dekker) is the film's hapless protagonist, an honest guy who unwillingly stumbles upon his family's dirty secret. Via a succession of ill-fated coincidences, implying the forces of Fate that would later pervade the film noir movement, John finds himself on trial for murder, thrust protestingly into an ad hoc mob trial that recalls Peter Lorre's judgement in 'M (1931).' Dekker is excellent in the dual- roles of John and Paul Raden, with the "bad" half always distinguishable, not just by his grizzled beard and raggedy clothing, but by the way he carries himself: slouched shoulders, arms held awkwardly, innocent and perplexed eyes upturned at the eccentricities of this unfamiliar society. Susan Hayward plays Millie, a minor femme fatale. She's an angel when you first see her, but the way she knowingly toys with Paul's naivete is quite repulsive, and her nastiness during the courtroom trial is similarly brutal. Notably, director Stuart Heisler would progress onto full-blown noir the following year with the Hammett adaptation 'The Glass Key (1942).'


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