Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates) search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
On a scientific expedition to Siam young Billy Batson is given the ability to change himself into the super-powered Captain Marvel by the wizard Shazam, who tells him his powers will last only as long as the Golden Scorpion idol is threatened. Finding the idol, the scientists realize it could be the most powerful weapon in the world and remove the lenses that energize it, distributing them among themselves so that no one would be able to use the idol by himself. Back in the US, Billy Batson, as Captain Marvel, wages a battle against an evil, hooded figure, the Scorpion, who hopes to accumulate all five lenses, thereby gaining control of the super-powerful weapon. Written by
Doug Sederberg <email@example.com>
THE MOST POWERFUL MAN IN CARTOONLAND BECOMES THE STRONGEST MAN ON THE SCREEN! All others pale in the light of this human fortress who finds no barrier too great in his amazing fight for justice. See more »
Superman was originally considered for this project, however, when National Periodical Publications (now known as DC Comics) turned Republic down, the producers made the offer to Fawcett Comics for their top character and was accepted. See more »
In Chapter 11 as Captain Marvel heaves a tree trunk from the road way, a crew member steps out from behind a large rock and, realizing his mistake, steps back out of sight. See more »
[sound of a huge gong omninously echoes down the valley]
What's that, Mr. Howell?
Howell [Ch. 1]:
I don't know, Billy - let's find out. What do you make of that cymbal, Malcolm?
I don't know, Howell. Does it mean anything to you, Tal Chotali?
The men of the hills are gathering. The cymbal says that the white men are to be driven from the Valley of Tombs.
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In my opinion, it is the finest serial ever mode. Highlighting the serial were the fabulous flying sequences. Combining a wired dummy photographed against real backgrounds in natural sunlight, with spectacular take-off leaps and landings, the final effects are still fascinating today as they were in 1941.
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