After Pat Garrett kills Billy the Kid, Billy's look-alike Roy Rogers arrives and is mistaken for him. Although a murderer, Billy was on the side of the homesteaders against the large ... See full summary »
Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
Gabby refuses to breed his horse the Golden Sovereign with Roy's. When the Sovereign and Roy's horse escape, Skoville shoots the Sovereign by mistake but Roy is blamed and jailed. A year ... See full summary »
Bill Hickok in his early pre-gunslinger years as a freight-line agent protecting a gold shipment from villains out to steal gold and land out west while America is diverted by the Civil War back east. With the help of Calamity Jane and her horse-trader uncle, Hickok battles the bad guys while trying to win the love of his life, Louise, in a formulaic B western adventure with songs. Written by
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
This is the first Roy Rogers film I've ever seen in its entirety, although I watched many an episode of his TV show in my younger years. It was a passable B western, with some fine Yakima Canutt stunts, and features an appearance by a veteran of John Wayne's old Lone Star westerns, Jack Rockwell, as a stagecoach driver. Roy, Sally Payne and Gabby sing some fair but forgettable songs, Sally and Gabby's scenes together are a hoot, and Julie Bishop and Trigger both look as comely as ever. The screenwriters in typical Hollywood fashion play fast and loose with the history of these characters and their times.(The notion of anybody trying to take California away from the U.S. is ridiculous, Wild Bill and Calamity didn't meet until almost a dozen years after the Civil War and both were pretty homely looking even by 19th century standards.) All in all, some parts of this film are quite entertaining, it's mostly pleasing to the eye and ear, and it's not a bad way to kill an hour. Dale Roloff
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