Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development ... See full summary »
In 1866, a new gold discovery and an inconclusive conference force the U.S. Army to build a road and fort in territory ceded by previous treaty to the Sioux...to the disgust of frontier ... See full summary »
Silver has been found on comanche territory and the government accomplished a peaceful agreement with the indians. When James 'Jim' Bowie comes into the scene he finds the white settlers ... See full summary »
When the Daltons are killed at Coffeeville, gang member Bill Doolin arriving late escapes but kills a man. Now wanted for murder, he becomes the leader of the Doolin gang. He eventually ... See full summary »
Ring Hassard and father Jeff, wild horse breakers, live in a hidden mountain eyrie because Jeff is wanted for a murder he didn't commit. But things change when they take in a lost young ... See full summary »
Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development company. When Tod tries to help them, a faked murder charge turns the Daltons into outlaws, but more victims than villains in this fictionalized version. Will Tod stay loyal to his friends despite falling in love with Bob Dalton's former fiancée Julie? Written by
Rod Crawford <firstname.lastname@example.org>
Average western with a cast full of familiar faces but this is nothing special. What is Kay Francis, the essence of urban sophistication, doing in this routine oater? Sliding down the Hollywood ladder that's what. After years at the top she quarreled with the brothers Warner over money and they effectively finished her career. Here she is mid slide, freelancing at Universal and whatever studio would offer her work, she had one good part ahead in The Feminine Touch at MGM with Rosalind Russell than it was a series of junk until she ended up at poverty row studio Monogram for three minor films and a fall into obscurity and reclusiveness.
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