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Duel in the Sun

David O. Selznick’s absurdly over-cooked western epic is a great picture, even if much of it induces a kind of hypnotic, mouth-hanging-open disbelief. Is this monument to the sex appeal of Jennifer Jones, Kitsch in terrible taste, or have Selznick and his army of Hollywood talents found a new level of hyped melodramatic harmony? It certainly has the star-power, beginning with Gregory Peck as a cowboy rapist who learned his bedside manners from Popeye’s Bluto. It’s all hugely enjoyable.

Duel in the Sun

Blu-ray

Kl Studio Classics

1946 / Color / 1:37 flat Academy / 144 min. / Special Edition / Street Date August 15, 2017 / available through Kino Lorber / 29.95

Starring Jennifer Jones, Gregory Peck, Joseph Cotten, Lionel Barrymore, Lillian Gish, Walter Huston, Butterfly McQueen, Charles Bickford, Tilly Losch.

Cinematography Lee Garmes, Ray Rennahan and Harold Rosson

Production Designer J. McMillan Johnson

Film Editor Hal C. Kern, John Saure and William H. Ziegler

Original Music Dimitri Tiomkin

Written by Niven Busch,
See full article at Trailers from Hell »

The Ballad of Cable Hogue

Easily the most mellow of the films of Sam Peckinpah, this relatively gentle western fable sees Jason Robards discovering water where it ain’t, and establishing his private little way station paradise, complete with lover Stella Stevens and eccentric preacher David Warner. Some of the slapstick is sticky but the sexist bawdy humor is too cute to offend . . . and Peckinpah-phobes will be surprised to learn that the movie is in part a musical.

The Ballad of Cable Hogue

Blu-ray

Warner Archive Collection

1970 / 1:85 widescreen / 121 min. / Street Date June 6, 2017 / available through the WBshop / 21.99

Starring Jason Robards Jr., Stella Stevens, David Warner, Strother Martin, L.Q. Jones, R.G. Armstrong, Peter Whitney, Gene Evans, William Mims, Kathleen Freeman, Susan O’Connell, Vaughn Taylor, Max Evans, James Anderson.

Cinematography: Lucien Ballard

Art Direction: Leroy Coleman

Film Editor: Frank Santillo, Lou Lombardo

Original Music: Jerry Goldsmith

Written by John Crawford and Edmund Penney

Produced by Sam Peckinpah
See full article at Trailers from Hell »

Criterion Now – Episode 6 – Ugetsu, Lone Wolf & Cub, Seijun Suzuki

Aaron is joined by Matt Gasteier, who participates in our first game show and shares his insights on the latest from Criterion. We pay homage to Seijun Suzuki, the IMDb message boards, and share our opinions on Lone Wolf & Club, Pedro Almodovar, and a lot of other directors and films.

Episode Notes

2:15 – In Memoriam. Seijun Suzuki, IMDb Message Boards

10:00 – Matt’s opinion on the May Announcements

14:20 – Aaron’s Game for Matt

20:15 – Flash Sale Predictions

22:30 – Ugetsu 4K Restoration

24:50 – William Wyler’s The Westerner

28:00 – Women on the Verge of a Nervous Breakdown

36:00 – Short Takes (Lone Wolf & Cub, The Housemaid)

46:50 – FilmStruck

Episode Links Criterion – Seijun Suzuki IMDb Message Boards Janus Films – Ugetsu MacGruber 2 Episode Credits Aaron West: Twitter | Website | Letterboxd Matt Gasteier: Twitter | Letterboxd Criterion Now: Twitter Criterion Cast: Facebook | Twitter

Music for the show is from Fatboy Roberts’ Geek Remixed project.
See full article at CriterionCast »

Will ‘Fences’ Land Denzel Washington His Third Acting Oscar?

  • Scott Feinberg
Denzel Washington, Viola Davis in ‘Fences’ (Courtesy: Paramount)

By: Carson Blackwelder

Managing Editor

The elite circle of thespians who have earned three Oscars for their craft is quite small — but it could potentially expand come February 2017. Now that critics have finally gotten to see Fences, Denzel Washington has shot to the top of the list for the upcoming Academy Awards.

Throughout history there have only been three men to garner three Oscars with some combination of wins in the best actor and best supporting actor categories. And, at this point in the Oscar race, our very own Scott Feinberg calls the 61-year-old a frontrunner for best actor — putting him in a history-making position as he’d only be the fourth person to accomplish this feat.

The first person to win three statues for acting was Walter Brennan who managed to win three of the first five times the best supporting actor category was in existence.
See full article at Scott Feinberg »

Legendary Bergman on TCM: From Hollywood Career-Ruining Scandal to 3 Oscars and Another Bergman

Ingrid Bergman ca. early 1940s. Ingrid Bergman movies on TCM: From the artificial 'Gaslight' to the magisterial 'Autumn Sonata' Two days ago, Turner Classic Movies' “Summer Under the Stars” series highlighted the film career of Greta Garbo. Today, Aug. 28, '15, TCM is focusing on another Swedish actress, three-time Academy Award winner Ingrid Bergman, who would have turned 100 years old tomorrow. TCM has likely aired most of Bergman's Hollywood films, and at least some of her early Swedish work. As a result, today's only premiere is Fielder Cook's little-seen and little-remembered From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973), about two bored kids (Sally Prager, Johnny Doran) who run away from home and end up at New York City's Metropolitan Museum. Obviously, this is no A Night at the Museum – and that's a major plus. Bergman plays an elderly art lover who takes an interest in them; her
See full article at Alt Film Guide »

The Top Father's Day Films Ever Made? Here Are Five Dads - Ranging from the Intellectual to the Pathological

'Father of the Bride': Steve Martin and Kimberly Williams. Top Five Father's Day Movies? From giant Gregory Peck to tyrant John Gielgud What would be the Top Five Father's Day movies ever made? Well, there have been countless films about fathers and/or featuring fathers of various sizes, shapes, and inclinations. In terms of quality, these range from the amusing – e.g., the 1950 version of Cheaper by the Dozen; the Oscar-nominated The Grandfather – to the nauseating – e.g., the 1950 version of Father of the Bride; its atrocious sequel, Father's Little Dividend. Although I'm unable to come up with the absolute Top Five Father's Day Movies – or rather, just plain Father Movies – ever made, below are the first five (actually six, including a remake) "quality" patriarch-centered films that come to mind. Now, the fathers portrayed in these films aren't all heroic, loving, and/or saintly paternal figures. Several are
See full article at Alt Film Guide »

Oscar-Nominated Film Series: WB Queen Davis Sensational as Passionately Cold-Hearted Murderess

'The Letter' 1940, with Bette Davis 'The Letter' 1940 movie: Bette Davis superb in masterful studio era production Directed by William Wyler and adapted by Howard Koch from W. Somerset Maugham's 1927 play, The Letter is one of the very best films made during the Golden Age of the Hollywood studios. Wyler's unsparing, tough-as-nails handling of the potentially melodramatic proceedings; Bette Davis' complex portrayal of a passionate woman who also happens to be a self-absorbed, calculating murderess; and Tony Gaudio's atmospheric black-and-white cinematography are only a few of the flawless elements found in this classic tale of deceit. 'The Letter': 'U' for 'Unfaithful' The Letter begins in the dark of night, as a series of gunshots are heard in a Malayan rubber plantation. Leslie Crosbie (Bette Davis) walks out the door of her house firing shots at (barely seen on camera) local playboy Jeff Hammond, who falls dead on the ground.
See full article at Alt Film Guide »

Remembering Actress Wright: Made Oscar History in Unmatched Feat to This Day

Teresa Wright movies: Actress made Oscar history Teresa Wright, best remembered for her Oscar-winning performance in the World War II melodrama Mrs. Miniver and for her deceptively fragile, small-town heroine in Alfred Hitchcock's mystery-drama Shadow of a Doubt, died at age 86 ten years ago – on March 6, 2005. Throughout her nearly six-decade show business career, Wright was featured in nearly 30 films, dozens of television series and made-for-tv movies, and a whole array of stage productions. On the big screen, she played opposite some of the most important stars of the '40s and '50s. It's a long list, including Bette Davis, Greer Garson, Gary Cooper, Myrna Loy, Ray Milland, Fredric March, Jean Simmons, Marlon Brando, Dana Andrews, Lew Ayres, Cornel Wilde, Robert Mitchum, Spencer Tracy, Joseph Cotten, and David Niven. Also of note, Teresa Wright made Oscar history in the early '40s, when she was nominated for each of her first three movie roles.
See full article at Alt Film Guide »

“Haht” of Gold: Top 10 Oscar-Winning Actors from Massachusetts

  • SoundOnSight
It is not too shabby in what the Northeast (New England) part of the United States has produced in terms of past and present actors/actresses making their show business dreams come true. Film careers can be a lot like ice cubes–they start out solid and cool but if you sit around in stagnation your efforts and hard work can melt away before one’s very eyes. Certainly no one can accuse this talented crop of thespians of being one-hit wonders on the big screen. After all, one does not become a recipient of an Academy Award by just sheer luck and charitable fortune.

As a native Bostonian and life long New Englander, I felt compelled to spotlight those Massachusetts-born and bred actors from the same region that had ultimate success on the big screen in winning the Oscar for their acting achievement and contribution to the motion picture industry.
See full article at SoundOnSight »

Dracula Actress Turns 103; Grandson Directed Different Kind of Vampire Movie (Think Twilight)

Lupita Tovar turns 103: Actress starred in Spanish-language ‘Dracula’ and in the first Mexican talkie, ‘Santa’ (photo: Lupita Tovar in ‘Santa’) Mexican actress Lupita Tovar, best remembered for the Spanish-language version of Dracula and for starring in the first Mexican talkie, Santa, turned 103 years old on Sunday, July 27, 2013. Tovar was born in 1910 in the city of Oaxaca, the capital of the Mexican state of the same name. In an interview with author Michael G. Ankerich (Mae Murray: The Girl with the Bee-Stung Lips) published on Ankerich’s site Close-ups and Long Shots, Tovar recalled her brief foray as a silent film actress at Fox (several years before it became 20th Century Fox): "Silent films were wonderful because you didn’t have to worry about your dialogue. You could say whatever you felt. We had music on the set all the time. It was absolutely wonderful." Unfortunately for Tovar, whose English was quite poor,
See full article at Alt Film Guide »

Christoph Waltz and Quentin Tarantino make Oscars history with 'Django Unchained' wins

Christoph Waltz and Quentin Tarantino make Oscars history with 'Django Unchained' wins
Both of the Oscars wins for "Django Unchained" --  Christoph Waltz (Best Supporting Actor) and Quentin Tarantino (Best Original Screenplay) -- are history making.  Waltz, who claimed this same award three years ago for "Inglorious Basterds," his first collaboration with Tarantino, is the seventh actor to win more than once in this category, following: Walter Brennan: "Come and Get It" (1936), "Kentucky" (1938), "The Westerner" (1940);   Anthony Quinn: "Viva Zapata!" (1952), "Lust for Life" (1956);   Peter Ustinov: "Spartacus" (1960), "Topkapi" (1964);   Jason Robards: "All the President's Men" (1976), "Julia" (1977);   Melvyn Douglas: "Hud" (1963), "Being There" (1979); and   Michael Caine: "Hannah and Her Sisters" (1986...
See full article at Gold Derby »

Meryl Streep Has Lost the Oscar 14 Times

Colin Firth, Meryl Streep Colin Firth tells Meryl Streep he should have been cast as Margaret Thatcher in Phyllida Lloyd's The Iron Lady, for he's British and Streep is not. Streep responds by telling him she can play any nationality, including Italian. As proof, she incarnates Anna Magnani in Bellissima. Well, something like that went on backstage at the 2012 Academy Awards ceremony. (Photo: Bryan Crowe / ©A.M.P.A.S.) Meryl Streep's Best Actress Oscar for The Iron Lady was her third. Streep's previous two Oscars were as Best Supporting Actress for Robert Benton's Kramer vs. Kramer (1979), featuring Dustin Hoffman, Jane Alexander, and Justin Henry; and as Best Actress for Alan J. Pakula's Sophie's Choice (1982), with Kevin Kline and Peter MacNicol. Only three other performers have won three Academy Awards: Walter Brennan as Best Supporting Actor for Howard Hawks and William Wyler's Come and Get It
See full article at Alt Film Guide »

Meryl Streep Hugs Naked Bald Man with Sword

Meryl Streep Oscar winner Meryl Streep became a three-time Academy Award winner after getting this year's Best Actress Oscar for her portrayal of Margaret Thatcher in Phyllida Lloyd's The Iron Lady. In the above photo, Streep poses backstage with a naked man holding a strategically placed sword during the 84th Oscar ceremony held February 26. (Photo: Richard D. Salyer / © A.M.P.A.S.) Streep's previous two Oscars were as Best Supporting Actress for Robert Benton's Kramer vs. Kramer (1979), featuring Dustin Hoffman, Jane Alexander, and Justin Henry; and as Best Actress for Alan J. Pakula's Sophie's Choice (1982), with Kevin Kline and Peter MacNicol. Her Best Actress competitors this time around were Viola Davis for The Help, Michelle Williams (as Marilyn Monroe) for Simon Curtis' My Week with Marilyn, Rooney Mara (in Noomi Rapace's original role) for David Fincher's The Girl with the Dragon Tattoo remake,
See full article at Alt Film Guide »

Octavia Spencer, Meryl Streep Joined Together

Octavia Spencer, Meryl Streep Octavia Spencer — quite literally — joins Meryl Streep at 2012 post-Oscar ceremony Governors Ball held at Hollywood and Highland Center in Hollywood, CA, Sunday, February 26. Spencer was the Best Supporting Actress winner for her performance in Tate Taylor's socially conscious comedy-drama The Help. Streep was the Best Actress winner for her performance as former British prime minister Margaret Thatcher in Phyllida Lloyd's The Iron Lady. (Photo: Darren Decker / ©A.M.P.A.S.) Octavia Spencer was a first-time nominee. Her Best Supporting Actress competition consisted of fellow first-time nominees Jessica Chastain for The Help, Bérénice Bejo for Michel Hazanavicius' The Artist, and Melissa McCarthy for Paul Feig's Bridesmaids, in addition to two-time nominee Janet McTeer for Rodrigo García's Albert Nobbs. McTeer had been previously shortlisted in the Best Actress category for Gavin O'Connor's Tumbleweeds (1999). Meryl Streep's competitors in the Best Actress
See full article at Alt Film Guide »

Tom Cruise, Meryl Streep Hold Hands

Tom Cruise, Meryl Streep Tom Cruise poses with Meryl Streep during the 2012 Academy Awards ceremony at Hollywood and Highland Center on Sunday, February 26. Cruise, looking very much like his old Top Gun and Cocktail self, was the evening's Best Picture presenter. Streep was the Best Actress Oscar winner for playing Margaret Thatcher in Phyllida Lloyd's The Iron Lady. Also worth noting, Cruise and Streep co-starred in Robert Redford's political drama Lions for Lambs in 2006. (Photo: Todd Wawrychuk / © A.M.P.A.S.) Tom Cruise presented the Best Picture Oscar to Michel Hazanavicius' black-and-white near-silent comedy-drama The Artist. Cruise's movie Mission: Impossible IV – Ghost Protocol was a major late-year box-office hit and received quite enthusiastic reviews, but failed to be shortlisted in any Oscar category. Cruise's next film is Adam Shankman's Rock of Ages, featuring an extensive cast that includes Malin Akerman, Bryan Cranston, Best Supporting Actress
See full article at Alt Film Guide »

Tom Cruise Congratulates Meryl Streep

Tom Cruise, Meryl Streep Tom Cruise congratulates Best Actress Oscar winner Meryl Streep — for Phyllida Lloyd's The Iron Lady — backstage during the 2012 Academy Awards ceremony held at the Hollywood and Highland Center on Sunday, February 26. Cruise and Streep co-starred in Robert Redford's political/Iraq War drama Lions for Lambs in 2006; the film was a box-office flop in the United States, but did solid business overseas. (Photo: Todd Wawrychuk / © A.M.P.A.S.) Tom Cruise wasn't nominated for anything this year; he was the presenter of the Best Picture Academy Award, which went to Michel Hazanavicius' The Artist. Cruise's movie Mission: Impossible IV – Ghost Protocol was a major late-year box-office hit and received quite enthusiastic reviews. Cruise's next vehicle is Adam Shankman's Rock of Ages, featuring an eclectic cast that includes Malin Akerman, Bryan Cranston, Catherine Zeta-Jones, Alec Baldwin, Julianne Hough, Paul Giamatti, Russell Brand, Hugh Forte,
See full article at Alt Film Guide »

William Wyler/Oscar Actors: Walter Huston, Bette Davis

Walter Huston, Ruth Chatterton, Dodsworth William Wyler: Record-Setting Oscar Director for Actors Pt.1 Ah, William Wyler also happens to be the director with the most Academy Award nominations: twelve in all. For the record, those are: Dodsworth, 1936; Wuthering Heights, 1939; The Letter, 1940; The Little Foxes, 1941; Mrs. Miniver, 1942; The Best Years of Our Lives, 1946; The Heiress, 1949; Detective Story, 1951; Roman Holiday, 1953; Friendly Persuasion, 1956; Ben-Hur, 1959; and The Collector, 1965. He won the Best Director Oscar for three films — none of which is among his best: Mrs. Miniver, The Best Years of Our Lives, and Ben-Hur. Considering the changes that have taken place in the American film industry following the demise of the studio system, barring a miracle Wyler will remain the Oscars' top director for actors for as long as there are Oscars. (See full list below.) William Wyler died of a heart attack in July 1981 in Los Angeles. William Wyler-directed movies: thirty-six acting nominations; fourteen wins.
See full article at Alt Film Guide »

William Wyler: Oscar Actors Director

William Wyler was one of the greatest film directors Hollywood — or any other film industry — has ever produced. Today, Wyler lacks the following of Alfred Hitchcock, John Ford, Frank Capra, or even Howard Hawks most likely because, unlike Hitchcock, Ford, or Capra (and to a lesser extent Hawks), Wyler never focused on a particular genre, while his films were hardly as male-centered as those of the aforementioned four directors. Dumb but true: Films about women and their issues tend to be perceived as inferior to those about men — especially tough men — and their issues. The German-born Wyler (1902, in Alsace, now part of France) immigrated to the United States in his late teens. Following a stint at Universal's New York office, he moved to Hollywood and by the mid-'20s was directing Western shorts. His ascent was quick; by 1929 Wyler was directing Universal's top female star, Laura La Plante in the
See full article at Alt Film Guide »

Meryl Streep sets new record with 16th Oscar nomination

  • Gold Derby
Meryl Streep sets new record with 16th Oscar nomination
Meryl Streep's nomination for "Julie & Julia" increases her Oscar record to 16, putting her even further ahead of Katharine Hepburn and Jack Nicholson (both at 12). Though Hepburn won four lead-actress Oscars and Nicholson a pair of lead-actor Academy Awards as well as a supporting one, Streep has just one lead Oscar and a supporting prize to show for all her nominations.

Though Streep just broke Hepburn's record of an even dozen nods in the lead-actress race, she should take inspiration from Hepburn's Oscar history. Hepburn won her first Oscar bid, for "Morning Glory" in 1933, but she lost her next eight Oscar races. It was only after Hepburn turned 60 in 1967 -- the age Streep is now -- that she prevailed again with nod No. 10 for "Guess Who's Coming to Dinner." Hepburn credited that win as a way for the academy to honor her late love and frequent costar Spencer Tracy,
See full article at Gold Derby »

Discuss: Obvious Collaborations That Never Happened

While sitting and thinking about the upcoming remake/sequel to Alice In Wonderland (trust me, it’s not something I do all that often), I couldn’t help but stumble upon one, key element about the film. It’s Tim Burton. It features Crispin Glover. One has never directed the other before, and this is a surprising notion to come across. Granted, Glover provided a voice in 9 last year, and Tim Burton was a producer on that film. Before that, though, there has never been a collaboration between these two giants of weird.

This got me thinking. What other obvious collaborations are there that, for whatever reasons the cinema Gods felt necessary, never came to fruition. What directors have such an identifiable style that coalesces with the style of an actor or actress that have just never merged together on any, one project?

Here are a few I’ve found:
See full article at WeAreMovieGeeks.com »
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