Waterloo Bridge (1940)

During World War One, a young ballerina becomes a prostitute when she loses her job and believes her fiancé dead.

Director:

Mervyn LeRoy

Writers:

Robert E. Sherwood (play), S.N. Behrman (screenplay),

Stars:

Vivien Leigh, Robert Taylor, Lucile Watson

Nominated for 2 Oscars.

Cast

Complete credited cast:
Vivien Leigh	...	Myra
Robert Taylor	...	Roy Cronin
Lucile Watson	...	Lady Margaret Cronin
Virginia Field	...	Kitty
Maria Ouspenskaya	...	Madame Olga Kirowa
C. Aubrey Smith	...	The Duke
Janet Shaw	...	Maureen
Janet Waldo	...	Elsa
Steffi Duna	...	Lydia
Virginia Carroll	...	Sylvia
Leda Nicova	...	Marie
Florence Baker	...	Beatrice
Margery Manning	...	Mary
Frances MacInerney	...	Violet
Eleanor Stewart	...	Grace

Storyline

On the eve of World War II, a British officer revisits Waterloo Bridge and recalls the young man he was at the beginning of World War I and the young ballerina he met just before he left for the front. Myra stayed with him past curfew and is thrown out of the corps de ballet. She survives on the streets of London, falling even lower after she hears her true love has been killed in action. But he wasn't killed. Those terrible years were nothing more than a bad dream is Myra's hope after Roy finds her and takes her to his family's country estate.

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Plot Keywords:

ballet | officer | bridge | love | ballerina | 

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Genres:

Drama | War | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

17 May 1940 (USA)

Also Known As:

El puente de Waterloo

Filming Locations:

Bath, Somerset, England, UK

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

108 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Released a few months after the invasion of Poland, and in the middle of the Blitzkrieg, this is likely the earliest Hollywood film to include the Second World War in its plot.

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Goofs

The uniforms worn by the officers are more like US uniforms in cut and cloth than British. Roy's officer's hat is distinctly American in shape.

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Quotes

Roy Cronin: Myra, what do you think we're going to do tonight?
Myra Lester: Well, I, I...
Roy Cronin: Oh, you won't have time for that.
Myra Lester: For what?
Roy Cronin: For hesitating! No more hesitating for you!
Myra Lester: No?
Roy Cronin: No!
Myra Lester: Well, what am I going to do instead?
Roy Cronin: You're going to get married.

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Connections

Version of Waterloo Bridge (1931)

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Soundtracks

"The Minstrel Boy"
Traditional Irish air with lyrics by Thomas Moore
Heard as a theme while Myra waits for Roy's mother

User Reviews

Never a false note

This film is one of a tiny handful which, despite repeated viewings, I would award a vote of ten out of ten. Not because it's a great cultural classic studied in hushed tones by post-graduate students (for all I know this may be so, but I've never heard of it), but because it succeeds entirely and seamlessly in what it sets out to do.

'Waterloo Bridge' is one of those rare films that never seems to strike a false note or put a foot wrong. There is not a wasted moment in the screenplay -- every shot has meaning, every scene plays its part -- and the dialogue gains its power through the lightest of touches. The single scene that brings me to tears every time is that brief, banal interview in the café, with the dreadful unknowing irony of every word Lady Margaret says.

Yet for an avowed tear-jerker, and one that centres around wartime separation and hardship, in an era where unemployment could mean literal starvation, the film contains perhaps more scenes of unalloyed happiness than any modern-day romance. The script is understated, sparkling with laughter and even at its darkest salted with black jest, while no-one can doubt the central couple's joy in each other. They themselves acknowledge, and repeatedly, the sheer implausibility of their romance: but war changes all the rules, makes people -- as Roy says -- more intensely alive. (The actor David Niven, for one, married an adored wife in wartime within days of their first meeting.)

As Myra Lester, Vivien Leigh has seldom given a more lovely or accomplished performance. There is a world of difference between her depiction of the sweet-faced innocent who is mistaken for a school-girl at the start of the film and the sullen, worn creature who saunters through Waterloo Station... and then is miraculously reborn. Myra's face is an open book, and Leigh shows us every shade of feeling. In a reversal of expectations, she is the practical, hesitant one, while Roy, older, is the impetuous dreamer; a role in which Robert Taylor is both endearing and truly convincing. I find few cinematic romances believable, but for me this lightning courtship rings utterly true in every glance or smile that passes between them, from the moment they catch sight of each other for the second time.

Virginia Field also shines as Myra's friend, the hardbitten ex-chorus-girl Kitty, while C.Aubrey Smith provides sly humour as an unexpectedly supportive Colonel-in-Chief and Lucille Watson is both stately and sympathetic as Lady Margaret. But this is really Vivien Leigh's film, with Taylor's more than able aid, and she is transcendent.

'Waterloo Bridge' has a touch of everything: laughter, tears, tension, misunderstanding, sweetness, beauty and fate. It couldn't be made in today's Hollywood without acquiring an unbearable dose of schmaltz; in the era of 'Pretty Woman' it probably couldn't be made at all. But of its kind it is perfect. The only caveat I'd make, under the circumstances a minor one, is that -- as again in 'Quentin Durward' fifteen years later -- Robert Taylor's lone American accent in the role of a supposed Scot is from time to time obtrusive.