During World War I, believing her fiancé to be dead, a young ballerina loses her job and is forced to turn to prostitution.

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(screen play), (screen play) | 2 more credits »
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Nominated for 2 Oscars. See more awards »
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Cast

Complete credited cast:
...
...
Lucile Watson ...
Lady Margaret Cronin
Virginia Field ...
Maria Ouspenskaya ...
Madame Olga Kirowa
...
The Duke
Janet Shaw ...
Maureen
...
Elsa
Steffi Duna ...
Lydia
Virginia Carroll ...
Sylvia
Leda Nicova ...
Marie
Florence Baker ...
Beatrice
Margery Manning ...
Mary
Frances MacInerney ...
Violet
Eleanor Stewart ...
Grace
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Storyline

On the eve of World War II, a British officer revisits Waterloo Bridge and recalls the young man he was at the beginning of World War I and the young ballerina he met just before he left for the front. Myra stayed with him past curfew and is thrown out of the corps de ballet. She survives on the streets of London, falling even lower after she hears her true love has been killed in action. But he wasn't killed. Those terrible years were nothing more than a bad dream is Myra's hope after Roy finds her and takes her to his family's country estate. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

Her First Picture Since "Gone With The Wind"

Genres:

Drama | War | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

17 May 1940 (USA)  »

Also Known As:

El puente de Waterloo  »

Filming Locations:

 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This film was first telecast in Los Angeles 18 January 1957 on KTTV, but in New York City not until 4 September 1958 on WCBS and in San Francisco 11 April 1958 on KGO-TV. See more »

Goofs

When Myra reads the list of 'Fallen Officers', there are names with the ranks of Sergeant (Sgt) and Gunner (Gnr). These are not Officer ranks. See more »

Quotes

Roy Cronin: Must be good for the muscles. I should think a dancer's muscles would be like a strongman.
Myra Lester: Oh, not quite. That's a bit dreadful. We try to combine slenderness with strength. Well, I've been dancing since I was twelve and I don't think the muscles are over developed.
Roy Cronin: No-no. No, not in your case.
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Connections

Edited into Homecoming (1948) See more »

Soundtracks

Let Me Call You Sweetheart
(1910) (uncredited)
Written by Beth Slater Whitson and Leo Friedman
Played as dance music at the estate dance given by Lady Margaret
Played as background music
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Frequently Asked Questions

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User Reviews

Taylor and Leigh at their best...one of the all-time great tear-jerkers!
14 April 2001 | by (U.S.A.) – See all my reviews

Robert Taylor's favorite movie is also rumored to be one of Vivien's favorites--although at the time she was sorry that Laurence Olivier had not been cast in it. (She was always seeking him as her screen partner!) But Taylor delivers the goods--great charm, presence and obviously respecting the fine role that he plays. Vivien Leigh is a revelation--here she is fresh from Scarlett O'Hara and able to inhabit another character's skin with ease, back in her oh-so-British mode and looking as young and beautiful as ever. It's a pleasure that two such charismatic stars are still being seen in this--their finest moments on screen in one of the greatest tear-jerkers of the '40s. Special mention should be given to Lucille Watson for the way she plays the restaurant scene with Leigh at their first meeting--the mother-in-law getting the wrong impression from Leigh's reception. All of it is romantic, tender and charming--with an Anna Karenina-like ending after a surprising twist. For fans of Taylor and Leigh, it doesn't get any getter than this.


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