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Ben Jonson (play)
Jules Romains (adaptation)
Release Date:
10 May 1941 (France) See more »
Volpone, an elderly Venetian, connives with his money-crazed servant to convince his greedy friends that he is dying... See more » | Add synopsis »
User Reviews:
The honey/money pot See more (5 total) »


  (in credits order) (verified as complete)
Harry Baur ... Volpone

Louis Jouvet ... Mosca
Charles Dullin ... Corbaccio
Jean Témerson ... Voltore (as Témerson)

Fernand Ledoux ... Corvino
Jacqueline Delubac ... Colomba Corvino
Marion Dorian ... Canina
Alexandre Rignault ... Le capitaine Leone Corbaccio
Louis Frémont ... Le juge
Robert Seller ... Le chef des sbires
Jean Lambert ... Le chanteur
Pierre Gianotti ... Le donneur de sérénade (as P. Gianotti)
Colette Régis ... La marquise
rest of cast listed alphabetically:
Alfred Baillou ... Un mendiant (uncredited)
Roger Blin ... Un vénitien (uncredited)
Henry Farty ... Un vénitien (uncredited)
Édouard Francomme ... Un vénitien (uncredited)
Rodolphe Marcilly ... Un vénitien (uncredited)
Marcel Melrac ... Un soldat (uncredited)
Pierre Moreno ... Le greffier (uncredited)
Pierre Sabbagh ... Un vénitien (uncredited)

Directed by
Maurice Tourneur 
Jacques de Baroncelli (some scenes) (uncredited)
Writing credits
(in alphabetical order)
Ben Jonson  play
Jules Romains  adaptation
Jules Romains  dialogue
Stefan Zweig  play (uncredited)

Produced by
Elisabeth Soutzo .... producer (uncredited)
Original Music by
Marcel Delannoy 
Cinematography by
Armand Thirard 
Film Editing by
Marcel Cravenne  (as Marcel Cohen)
Production Design by
André Barsacq 
Set Decoration by
Jacques Gut 
Jean Perrier 
Costume Design by
Boris Bilinsky 
Makeup Department
Georges Klein .... head makeup artist
Production Management
A. Hertz .... production manager
Second Unit Director or Assistant Director
Edouard Lepage .... assistant director
Jacques Tourneur .... assistant director (uncredited)
Sound Department
Charles Guirlinger .... sound engineer
Camera and Electrical Department
René Colas .... camera operator
André Dumaître .... assistant camera
Robert Taverne .... assistant camera
Music Department
Roger Desormière .... musical director
Other crew
Suzanne Bon .... script girl
René Decrais .... head costumier
Crew believed to be complete

Production CompaniesDistributors

Additional Details

Also Known As:
94 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Wide Range Recording)
France:U (Visa #357) | Sweden:15

Did You Know?

Begun in 1938 by Jacques de Baroncelli (with Jean Tissier), the production shut down because of financial difficulties. Maurice Tourneur took over and the shooting resumed on 23rd March 1940 (minus Jean Tissier). The scenes shot in 1938 were incorporated in the final print.See more »
Movie Connections:
Referenced in Le bourreau des coeurs (1983)See more »


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1 out of 1 people found the following review useful.
The honey/money pot, 19 March 2012
Author: dbdumonteil

Maurice Tourneur's "war years" ,with the exception of "Mam'zelle Bonaparte " one of the few duds featuring Edwige Feuillère ,were a good time for him:"Péchés De Jeunesse" and "le Val D'Enfer" were pure Petainist moral but are still watchable for all that ;"Cecile Est Morte" was a good Simenon story;"La Main Du Diable" is his absolute masterpiece ,one of the rare attempts at a fantasy and horror movie which brilliantly succeeds in this country;its influence was strong on his son Jack's "Curse of the demon" (check the titles).

And then there's "Volpone" .With a cast as stellar as this one ,how could a director be wrong?Some movies are protected by their own actors. Watching Harry Baur and Louis Jouvet together is just a joy .Add Fernand Ledoux and Jacqueline Delubac,Guitry's wife (for a while)and you've got one of the best casts of the Occupation days.Ben Johnson's work was adapted by a genuine French writer ,Jules Romains ,whose novels were often transferred to the screen,and the lines are often witty ,even nasty ,with lots of black humor.Tourneur's directing is one of his best for its disposable funds were probably not that much high at the time and he successfully recreated Venice in the studio with talent and skill.We've never the feeling we're watching a filmed stage production .And anyway Harry Baur,using a falsetto voice when he is dying,and taking from his neighbors everything he can steal with a little help from his good friend Mosca (Jouvet) who is even foxier than the fox ,portrayed a memorable Volpone.

"Volpone" can grab today's audience:its subject is money ,money ,money,lust for wealth .The lure of gain drive people to selling their wives or sons or daughters .How many lines featuring the word "sequin"?"Volpone" could be updated and remade in 2010 and the plot wouldn't have to be modified much.Anyway,Joseph L.Mankiewicz did it in 1967 where Cecil Fox ,helped by MacFly (check the names),was pretending he was about to die to lure his former lovers into a trap with promises of fortune .Frederick Knott replaced Jules Romains and the movie would have deserved a better fate .

After a lot of brilliant movies (notably by the great Duvivier) ,Harry Baur ended his career on a high note: "Volpone" and "L"assassinat Du Père Noel" were splendid Swansongs.I have not seen yet his final (German) performance in "Symphonie Eines Lebens" .He was given away to the sinister Gestapo (they supposed he was a Jew;his late wife was but he wasn't.He was tortured and when he was released he weighed less than 40 kg (88 pounds)and died soon afterward.He was only 63.It was a major loss for the French cinema and stage.

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