Eddie sells his song to a Broadway producer and also lands a job dancing in the musical. He sends for his dance partner-fiancée Molly who brings her younger sister Pat. Upon seeing Molly ...
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Two days before Marian and Ned are to be married, he is killed by the husband of a woman he was seeing on the side. Marian becomes withdrawn and they send her to the Canadian Rockies for ... See full summary »
Alfred E. Green,
Butch Saunders has been transferred to Missing Persons because he was too brutal in other police work. He regards the assignment as "kindergarten" work. When a young woman asks him to help ... See full summary »
Fiona, Evelyn and Susanna are sisters. Their mother dies on the Lusitania, their father is killed in France, they must manage their Fifth Avenue mansion by themselves. Fiona marries Charles... See full summary »
Letitia "Tish" Carberry, an eccentric New England spinster, lives with her nephew, Charlie Sands, and her two cronies, Aggie Pilkington and Lizzie Wilkins, live in a near-by boarding house.... See full summary »
The stuffy manager of lovely opera singer Vicki Cassel and her uncle, a classical conductor, is determined to close down the noisy nightclub that's next door to the Cassels' home. The ... See full summary »
In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
Eddie sells his song to a Broadway producer and also lands a job dancing in the musical. He sends for his dance partner-fiancée Molly who brings her younger sister Pat. Upon seeing Molly and Pat dance, the producer picks Pat for the show and gives Molly a job selling cigarettes. A wealthy friend of the Producer named Chad, also has is eye on Pat. Pat is teamed with Eddie in the specialty number as Kerns and Mahoney. Pat and Eddie soon realize that they are in love and must tell Molly. Pat balks at hurting Molly and goes out with Chad who already has five ex-wives. Written by
Tony Fontana <firstname.lastname@example.org>
Evidently MGM was grooming Lana Turner to be featured in musicals at this stage of her career. Unfortunately that effort was abandoned, with mixed results. In this conventional backstage romantic triangle, she is a very winning performer, and a surprisingly effective dancer in her three musical numbers (partnered in two by George Murphy and in one by Joan Blondell). Her spirited youthfulness and fresh beauty are put to good use in her role as an innocent small-town girl who (almost) is spoiled by some wily denizens of big, bad Broadway. Joan Blondell plays the protective older sister convincingly, willing to sacrifice her own happiness for that of "the kid." Not many viewers would associate Lana Turner with this type of picture, but, as indicated, she more than holds her own. Too bad that in her pictures, as in her life, she became an "experienced" woman too soon.
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