Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
Susan is in the hospital with a bullet near her heart. Marian has told the police that she shot Susan in a rage as Susan was giving up singing. Marian and Luke found Susan when she was a ... See full summary »
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
Some dastardly criminals have stolen some top secret plans and tattoo them on the back of a woman so she can sell them to the highest bidder in Lisbon. This woman plans to take the place of... See full summary »
The wealthy Van Dyke family are constantly in the media for outrageous behavior, much to the frustration of patriarch Dan Van Dyke. His self-centered, bubble-headed wife has a fondness for ... See full summary »
Wells Fargo stages are being robbed by 'The Poet' and no one can find out who he is. Wylie is a gambler who is found by the sheriff and gives him the option of going back to a questionable ... See full summary »
When the Germans invade Norway their Commandant and the town Mayor confront each other, attempting to maintain civility as far as possible. When the army tries to orgnanize townspeople to ... See full summary »
Lee J. Cobb
One of the mysteries of Allan Dwan's career as a director is that his lead actors frequently seemed to be having a good time. That pleasure of performance is fairly rare in the movies, even though it adds considerably to the pleasure of the audience. Georges Melies seemed to enjoy his movies; more recently, Annette Bening in THE American PRESIDENT is clearly enjoying herself as Sidney Wade. Yet in the fifty years of Dwan's career, again and again, performers clearly enjoy themselves: William Crane in David HARUM; Gloria Swanson in ZAZA; Bill Robinson in ONE MILE FROM HEAVEN; Dennis O'Keefe in BREWSTER'S MILLIONS; and, of course, Douglas Fairbanks Sr. in their frequent collaborations.
Outside of Dwan projects, only the Barrymores and occasionally Fredric March showed that spark. Apparently it is an artifact of stage performances. Possibly it is the unworried understanding that if this performance is not successful, there can be another take. Judging by conversations with cast and crew, everyone had great confidence in Dwan's abilities and they could relax and let that enjoyment come through.
Franchot Tone is clearly enjoying himself here. He does things he never did elsewhere. He tries a couple of stunts. He is outright silly. As a result, he makes this very silly western a lot of fun. Broderick Crawford and Andy Devine as his sidekicks are enjoying themselves, too.
Back to Dwan: he had begun as a director of Westerns thirty years before, but hadn't made one for at least twenty years at this point and he pulls out all the stops. Universal was trying for a follow-up to the previous year's DESTRY RIDES AGAIN and although this one is not as amazing a result as that, Dwan plays with all the B-western conventions of the era with a clearly A budget. I expect you'll enjoy it.
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