Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
With his sidekick Rusty, Jeff Harper sails to paradisiacal tropical isle Ahmi-Oni to bargain on behalf of his cattle baron father for land owned by transplanted Irishman Dennis O'Brien. But... See full summary »
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Set at the turn of the century, smooth talking con man Eddie Johnson weasels his way into a job at friend and rival Joe Rocco's Coney Island night spot. Eddie meets the club's star ... See full summary »
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »
Sergeant Dixie Smith has more raw recruits to turn into Marines, if he can. Among them is cocky casanova Chris Winters, son of an officer, who's just tried to "mash" Mary Carter, a major's ... See full summary »
Tony (Charles Laughton), a successful but illiterate middle-aged grape farmer, sends the photograph of his handsome young foreman, Joe (William Gargan), instead of his own, hoping to woo ... See full summary »
At Middleton College, controlled by rich donor Melton, only paying sports are allowed. But Freddie Frye, conniving student body president, has to get a letter in some sport to win back his ... See full summary »
Delilah Lee is the star of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become the order of the day.
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited when the boys, now in the army, show up in England. Written by
Ed Stephan <firstname.lastname@example.org>
"When You Wore a Tulip (And I Wore a Big Red Rose)" (music by Jack Mahoney, lyric by Percy Wenrich), performed by Betty Grable was cut from this film. In the surviving version of this scene, Grable's voice is dubbed by someone else. See more »
Oh, You Beautiful Doll
Music by Nat Ayer
Lyrics by A. Seymour Brown
Played during the opening credits and sung by two unidentified women
Reprised by a nightclub orchestra for dancing See more »
"All good-lookin' like he is, there's no use in getting' yourself all messed up", a black boy ponders, when 'Skeets' Harrigan (John Payne) drops out of a promising boxing career to pursue his dreams of becoming a renowned Tin Pan Alley song publisher with his friend from the Midwest, Harry Calhoun (Jack Oakie). On their way to the top they meet the Blane sisters, Katie (Alice Faye) and Lily (Betty Grable). 'Skeets' and Katie fall in love, but he is adamantly focused on his career and when he gives a song meant for Katie to a famous musical star, she has had it and leaves for London with her sister. That is when World War I erupts ...
'Tin Pan Alley' has more charm than it has plot, and it's a delightful watch with charismatic actors. Faye and Grable are a wonderful pair of tap-dancing sisters, Oakie is genuinely funny as the befuddled average Joe playing at being a tough guy, and John Payne, a Robert Taylor look-alike, clearly in a role that must have been written for typical Faye co-star Tyrone Power, rises to the occasion and delivers his all, a perfect mix of athletic hunkiness and crooning abilities, not the easiest performance to pull of, as 'Skeets' is quite callous in the way he presses forward.
The film abounds with great music and showpieces, 'Honeysuckle Rose' in Faye's very nice rendition with a boy chorus, 'The Sheik of Araby' featuring glorious tap-dancing by The Nicholas Brothers, the rousing "America, I Love You", and the only song actually written for the film, Harry Warren's 'You Say the Sweetest Things (Baby)", utilized to the fullest in a clever montage.
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