Magazine editor Margot Merrick pretends to be married in order to avoid advances from male colleagues. Unfortunately, things don't go to plan when Jeff Thompson, a potential suitor, ... See full summary »
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Magazine editor Margot Merrick pretends to be married in order to avoid advances from male colleagues. Unfortunately, things don't go to plan when Jeff Thompson, a potential suitor, uncovers the deception and decides to show up at Margot's family home posing as her husband! Written by
Col Needham <firstname.lastname@example.org>
Jimmy Conlin (Ernest) and Dick Paxton (Messenger Boy) are in studio records/casting call lists for their roles, but they are not seen in this movie. Most of the men and women at the railroad station listed in the cast are shown in longshot and are not recognizable, but are assumed to be there. See more »
When Jeff Thompson appears he is holding some neck ties in his left hand as he is talking to a member of the ship's crew. When he turns around in the next shot he is seen placing an oil painting down with several others. The neck ties disappeared and in their place a painting materialized. See more »
When I paint an Ohio cow, I'm the only one that has to like it, but if I paint a society cow, she has to like it.
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Interesting title and top-name talent, including Myrna Loy and Melvyn Douglas. But what an utterly inane script. This could have been such a great story, about a woman who needs a man to pretend to be her husband, with all sorts of interesting and plausible zany screwball complications. But instead, we get Myrna pushing the lie that she's married and getting away with it, due to the flimsiest of circumstances. And the reason given for her creating a phantom husband? She needs to be married in order to be an executive! This would've worked better if she was a closeted lesbian or if she was trying to prevent her family from arranging a marriage with a guy she did not love. Instead, we get all this other hooey.
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