Doctor Gulliver is poor, so nothing - not even his charming fiancée Elisabeth - keeps him in the town he lives. He signs on to a ship to India, but in a storm he's washed off the ship and ... See full summary »
Prince Ahmad is the rightful King of Bagdad but he has been blinded and cast out as a beggar. Now a captive of the wicked Grand Vizier Jaffar he is cast into a dungeon where he meets Abu, the best thief in all Bagdad. Together they escape and set about a series of adventures that involve a Djinni in a bottle, a mechanical flying horse, an all-seeing magic jewel, a flying carpet and a beautiful princess. Written by
Steve Crook <firstname.lastname@example.org>
This film was included in the first syndicated television presentation of a package of major studio feature films on USA television; it premiered in New York City Friday 24 September 1948 on WPIX (Channel 11) and in Los Angeles Sunday 3 October 1948 on KTLA (Channel 5). Although filmed in Technicolor, these telecasts were in B&W, since color broadcasting was still in its experimental stage. The package consisted of 24 Alexander Korda productions originally released theatrically between 1933 and 1942. See more »
The Sultan of Basra's palace has many decorations in the form of Hindu iconography, which would be found in India, but not in the ancient Middle East. (It was considered "Oriental" enough to pass by a 1940s audience, but stands out for a modern audience.) See more »
Oh ye, who Allah gave the gift of sight To fill your eyes with beauty and delight, Spare me a thought to whom your wondrous world Is but a city of eternal night. Alms for the love of Allah.
See more »
Like the Arabian Nights this film plays with storytelling conventions in order to make us feel that there's plot, plot and more plot: it opens with what appears to be the frame device of a blind man telling the story of his life, then plunges into a flashback which takes us right up to the blind man's present, where we discover that about half of the story is yet to come. (It must be admitted that the second half doesn't quite live up to the promise of the first.) Like the Arabian Nights it tries to cram as many Middle-Eastern folk motiffs as possible into the one work. A freed genie, a beautiful princess, a flying carpet, fantastic mechanical toys, sea voyages, a crowded marketplace, a wicked vizier, jewels ... I don't know why it all works, but it does. Everything is just so beautiful. The sets are beautiful. June Duprez is beautiful. Rozsa's score is especially beautiful. As usual, it sounds Hungarian; but somehow he manages to convince us that he's being Hungarian in a Persian way.
48 of 56 people found this review helpful.
Was this review helpful to you?