The most important family in Hickoryville is (naturally enough) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the ... See full summary »
John and his class go on a school trip to the Tower of London. While he is there he loses his pet mouse and vows to return and find her later. Back in school, he is not very attentive and ... See full summary »
Prince Ahmad is the rightful King of Bagdad but he has been blinded and cast out as a beggar. Now a captive of the wicked Grand Vizier Jaffar he is cast into a dungeon where he meets Abu, the best thief in all Bagdad. Together they escape and set about a series of adventures that involve a Djinni in a bottle, a mechanical flying horse, an all-seeing magic jewel, a flying carpet and a beautiful princess. Written by
Steve Crook <firstname.lastname@example.org>
Dwarfing anything ever seen...a mountainous Genie piercing the clouds...flying horses winging over Jewelled cities...a magic carpet that spans the world like the swiftest bird. (original poster) See more »
This is the first movie to ever use greens screens. See more »
Despite taking place in the ancient Middle East, several scenes show local people speaking in Hindi, which is spoken in India. (Again, it's "Oriental" enough for a 1940s audience not to notice.) See more »
[At the pool]
Who are you?
Where have you come from?
From the other side of time, to find you.
How long have you been searching?
Since time began.
Now that you've found me, how long will you stay?
To the end of time.
For me, there can be no more beauty in the world, than yours.
[...] See more »
Still a Solidly Wonderful Fantasy After Sixty-Plus Years
The story of the boy thief of Bagdad (as it was once spelled) has attracted filmmakers from Raoul Walsh in 1924, who starred Douglas Fairbanks in the first, silent, rendering of "Thief of Bagdad," to less imposing, more recent attempts. The best, however, remains 1940's version which for its time was a startling, magical panoply of top quality special effects. Those effects still work their charm.
No less than six directors are listed for the technicolor movie which starred Sabu as the boy thief, Abu, John Justin as the dreamily in love deposed monarch, Ahmad and June Duprez as the lovely princess sought by Ahmad and pursued by the evil vizier, Jaffar, played by a sinister Conrad Veidt. The giant genie is ably acted by Rex Ingram.
Ahmad is treacherously deposed by Jaffar and when later arrested by that traitorous serpent, he and the boy, Abu, suffer what are clearly incapacitating fates. Ahmad is rendered blind and Abu becomes a lovable mutt. Their adventures through the gaily decorated Hollywood backlots are fun but the special effects make this film work.
Two men were responsible for everything from a magic flying carpet to the gargantuan genie who pops out of a bottle with a tornado-like black swirl: Lawrence W. Butler and Tom Howard. (Howard, incidentally, did the special effects for the 1961 version of this film. Both men had long and distinguished careers in technical wizardry.)
Duprez is outstandingly lovely while little called on for serious acting. Justin's Ahmad projects a driven but dreamy romanticism untouched by erotic impulses. Sabu is really the central actor in many scenes and he's very good. For a movie meant for kids as well as adults there's a fair amount of violence but of the bloodless kind. Still, I don't think anyone under eight ought to see "Thief of Bagdad."
This film makes periodic appearances on TV but today my teenage son and I saw it in a theater with quite a few youngsters present. It was great to see computer-besotted kids in an affluent community respond with cheers and applause to special effects that must seem primitive to them.
"Thief of Bagdad" is a pre-war Hollywood classic from a time when strong production values often resulted in enduringly attractive and important releases. This is one of the best of its kind.
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