In the time of the Arabian Nights, the city of Baghdad is ruled by Sultan Ali Bajazeth but actually controlled by the scheming Grand Vizier Ghamal. The poor of Baghdad are aided by Karim, the Thief of Baghdad.
In Bagdad, the young and naive Sultan Ahmad is curious about the behavior of his people. The Grand Vizier Jaffar convinces Ahmad to walk through the city disguised as a subject to know his people. Then he seizes the power telling to the inhabitants that Ahmad has died while he sends his army to arrest the Sultan that is thrown into the dungeons and sentenced to death. Ahmad befriends the young thief Abu that helps him to escape from the prison. They flee to Basra and plan to travel abroad with Sinbad. However Ahmad stumbles upon the beautiful princess and they fall in love with each other. But the evil Jaffar has also traveled to Basra to propose to marry the princess. When they see each other, Jaffar uses magic to blind Ahmad and turn Abu into a dog. Is their love doomed? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is the first movie to ever use blue screens. See more »
The ropes held by the hand-maidens swinging the Princess back and forth in the swing have too much slack in them to really accomplish the task. See more »
You're a clever little man little master of the universe, but mortals are weak and frail. If their stomach speaks, they forget their brain. If their brain speaks, they forget their heart. And if their heart speaks
... they forget everything.
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Probably the best "Arabian Nights" film ever made.
Most of the genre of "Arabian Nights" films were silly, cheesy, low-budget things, like "The Prince Who Was A Thief" starring Tony Curtis as an Arabian prince with a Brooklyn accent. This is an exception: A genuinely magical film, one of the best fantasy films ever made.
A beautiful film made in the most glowing of technicolors, it tells the simple story of a boy thief (Sabu) meeting a dethroned prince (the gorgeous John Justin), and helping him defeat the wonderfully evil usurper Conrad Veidt. Like "The Wizard of Oz" made the year before, the performances are so good that you believe in what you see on the screen. Flying carpets and horses, towering genies, dancing idols, it all seems perfectly believable and exiting. A classic.
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