They Knew What They Wanted (1940)

User Rating:

6.2/10   

Director:

Garson Kanin

Writers:

Robert Ardrey (screenplay)
Sidney Howard (play)

Release Date:

19 October 1940 (USA)

Genre:

Drama | Romance

Tagline:

You have seen great motion pictures! We believe you have not seen a greater motion picture than this!

Plot:

Tony (Charles Laughton), a successful but illiterate middle-aged grape farmer, sends the photograph of his handsome young foreman...

Plot Keywords:

Farmer | Remake | Beautiful Woman | Pulitzer Prize Source | Based On Play

Awards:

Nominated for Oscar.

Cast

Carole Lombard	...	Amy Peters
Charles Laughton	...	Tony Patucci
William Gargan	...	Joe
Harry Carey	...	The doctor
Frank Fay	...	Father McKee
Joseph E. Bernard	...	The R.F.D. (as Joe Bernard)
Janet Fox	...	Mildred
Lee Tung Foo	...	Ah Gee, the Cook (as Lee Tung-Foo)
Karl Malden	...	Red
Victor Kilian	...	The photographer

Runtime:

USA:96 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Finland:K-16

Company:

RKO Radio Pictures

Trivia:

In March 1941, RKO was distributing this film on a double bill with Sixty Glorious Years (1938). (Sixty Glorious Years (1938) was distributed with the alternate title "Queen of Destiny".)

Movie Connections:

Remake of The Secret Hour (1928)

The Most Dated Fella

Pretty darn grown-up for its day, this atmospheric adaptation of the Pulitzer Prize-winning play has waitress Lombard wooed by immigrant winegrower Laughton, becoming his mail-order bride, having an affair with ranch foreman Gargan, carrying his child, and being forgiven for it. (In this version, though, she has to go off and do some Breen Office penance first.) It's one of the very few dramas made under the Production Code where the unwed mother doesn't contract a fatal disease, die in a car crash, or plunge herself off a cliff. Lombard, an unparalleled comedienne, gets to show off her considerable and underrated acting chops, while Laughton does an unsubtle "paisano" caricature that might have been considered great acting in its day (this, after all, was the Paul Muni wig-and-accent era) but has dated badly. Lombard smolders in her scenes with the Oscar-nominated Gargan, their adultery cleverly conveyed by director Kanin through long soulful gazes, dark shadows, and moody music. Some other welcome faces turn up in tiny roles (Karl Malden, Tom Ewell, Nestor Paiva), and the only real irritant is Frank Fay's impossibly noble priest, lit from behind like a madonna and forever mouthing holier-than-thou "God is smiling on us" dialogue. You want to smack him one.

Stage musical fans who want to see how Frank Loesser's great "The Most Happy Fella" plays without music will be pleased to observe how faithful he was to the source material, and the characters' emotions really do sing here. It's a fast and unpretentious little film, and another reminder (as if we needed it) of how badly we were robbed by Lombard's early death.