A street kid has dreams of becoming a jockey. He gets his chance when he and his gang discover a poor old man who has a championship race horse. The man agrees to let the boy ride his horse...
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A young street kid grows up and becomes a cop when he realizes that crime doesn't pay. One of his childhood friends is in prison for a murder he didn't commit, and the cop looks for ... See full summary »
Mr. Wise Guy (the eighth in the East Side Kids series) finds the gang sent to the Wilton Reform School after they are unjustly convicted of stealing a truck. Bill Collins (Douglas Fowley), ... See full summary »
The gang is befriended by a millionaire whom they save from a mugging. However, they begin to suspect that the man's son was actually one of the muggers. Knowing that the boy's father is ... See full summary »
EastSide boxing champion (Leo Gorcey) has been challenged to fight the West Side champ but is kidnapped before the match. Leo's friend (Bobby Jordan) takes his place and wins the fight only... See full summary »
The boys are sent to a mountain camp. Stranded in a small rural town, they hear about a "monster killer" roaming the countryside. At night, they sneak out. Peewee is shot by a grave-digger,... See full summary »
A street kid has dreams of becoming a jockey. He gets his chance when he and his gang discover a poor old man who has a championship race horse. The man agrees to let the boy ride his horse in a race, but first the gang must get enough money to pay for the race's entry fees. Written by
This is a solid East Side Kids feature that combines their familiar style with an equally familiar story setup about a young man's dream, producing something slightly different from either. It successfully avoids being predictable, while offering Leo Gorcey, Bobby Jordan, and the rest plenty of chances to display their boisterous style.
The story has Gorcey, as Muggs, dreaming of becoming a famous jockey. This seemingly unsuitable choice of profession sets up an interesting story that even has a few thoughtful moments. Clarence Muse does quite a good job as Muggs's kindly, wise mentor (and as a side-note, it's one of the better roles for an African-American to be found in the B-movies of the era). While the other adult characters are mostly one-dimensional, they each serve a purpose in the way that things turn out.
Along the way there are a number of chances for Gorcey, Jordan, and the rest to engage in some amusing silliness, yet director Joseph H. Lewis maintains a decent balance between that and more substantial material. As a result, it's not bad at all, and is worth seeing, at least for those who like the East Side Kids and their style.
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