Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ...
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Kevin Smith gives you the lowdown on Robert Redford's yearly fest in IMDb's Sundance Survival Guide. Catch Kevin Smith at the IMDb Studio at Sundance from Friday, Jan. 19, through Monday, Jan. 22, with interviews and coverage of all the top movies and stars.
Rags-to-riches Hennessey meets newlyweds Jessie and Eddie from his old neighborhood. Eddie plots to have Jessie divorce him, marry Hennessey, divorce Hennessey, then bring Hennessey's money... See full summary »
Oxford Professor Richard Myles and new bride Frances are off on a European honeymoon. It isn't your typical honeymoon though, for they are on a spying mission for British intelligence on ... See full summary »
Count Armalia believes that the luck of birth is all that separates the rich from the poor. To test his theory, he sends Anni, who is a singer in a dive, to a ritzy resort for two weeks. ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found religious experience with her closest friends - only to drive them crazy. Meanwhile, her husband Barrie, and daughter Blossom yearn for a stable family life. Barrie will even become sober, hoping that Susan will heed her own advice, and save their marriage and family. Written by
When Irene sends the men out of the room before Barrie comes in, she takes a cigarette from a porcelain box on the table, tapping it on the box lid. Cut to Barrie opening his car door and stumbling up the steps to the porch. There is an immediate cut back to Irene who is just putting the lid back on the box. See more »
If you're not going to be pretty, the least we can do is make you interesting.
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The reason Joan Crawford is so dreadful in this film is that she is desperately trying to imitate the actress who originated the role on stage: Gertrude Lawrence. Lawrence's charm and individuality must have gone a long way toward making this play a hit on Broadway. Perhaps it's even a good play, but Crawford's unfortunate overplaying is so distracting that it's hard to judge. One can get a good idea of how Lawrence delivered lines by listening to a scene from the 1930 comedy PRIVATE LIVES which she recorded with Noel Coward. After hearing this recording, it's very clear what Crawford was trying - and failing - to do.
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