Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ...
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Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found religious experience with her closest friends - only to drive them crazy. Meanwhile, her husband Barrie, and daughter Blossom yearn for a stable family life. Barrie will even become sober, hoping that Susan will heed her own advice, and save their marriage and family. Written by
When Irene sends the men out of the room before Barrie comes in, she takes a cigarette from a porcelain box on the table, tapping it on the box lid. Cut to Barrie opening his car door and stumbling up the steps to the porch. There is an immediate cut back to Irene who is just putting the lid back on the box. See more »
I'll tell him I don't approve of it in the daytime. All night's long enough for anything on earth.
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Watching this film, the lead role of Susan seemed to call out "Norma Shearer" to me, and sure enough, reading up on it, the rights to the play were purchased by MGM with Shearer in mind. Norma Shearer and Joan Crawford were both fabulous movie stars but with different gifts. You could not call either one of them great, visceral actresses so it was always best to lead with their strengths. Crawford's was drama. Shearer had a slightly wider range. This is just my opinion.
"Susan and God" is the story of a ditsy woman, unhappily married to drunken Frederic March, who takes a trip and comes back with religious fervor gained from a new group that emphasizes God, his guidance, and telling the truth. She then proceeds to wreak havoc on her entire social set and manages to break up one marriage and one near-marriage. March agrees to stay sober if she'll give their relationship a chance, and with their somewhat neglected daughter, Blossom, they spend the summer together. Ruth Hussey is a friend who is in love with March.
Crawford is an absolute disaster in this role, speaking very fast in a high-pitched voice that is supposed to represent her dizziness. She mugs, she poses, she wears absurd outfits (with the exception of the gorgeous one she wears to go to the train). It's a completely mannered, external performance. Shearer would have been much more natural in the role. Crawford is annoying. When it comes down to doing the more dramatic scenes in the film, she does much better.
The rest of the cast is very good, including March, Hussey, Rita Quigley, and a young, lovely Rita Hayworth. Due to Crawford, this comes off as rather strange, and it took me a while to realize it was supposed to be a comedy.
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