Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Rags-to-riches Hennessey meets newlyweds Jessie and Eddie from his old neighborhood. Eddie plots to have Jessie divorce him, marry Hennessey, divorce Hennessey, then bring Hennessey's money... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Dagwood wants to join the trout club and Blondie wants a fur coat. Jealousy reigns when Dag's old girlfriend Joan shows up, but nothing else matters when a drawing at the movie theatre provides money for the coat.
When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to... See full summary »
Edna May Oliver
Former seaman Clinton Jones now works at a lowly job. His daughter Ruth wants to become an actress. Clinton gets fired and Ruth rejects the advances of Fred Whitmarsh. Her father gives her ... See full summary »
Wealthy socialite Letty Lynton is returning to New York, abandoning one-tine lover Emile Renaul in South America, when she strikes up a shipboard romance with Jerry Darrow. Renault is ... See full summary »
Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found religious experience with her closest friends - only to drive them crazy. Meanwhile, her husband Barrie, and daughter Blossom yearn for a stable family life. Barrie will even become sober, hoping that Susan will heed her own advice, and save their marriage and family. Written by
The play originally opened on 10 April 1937 in Princeton, New Jersey, and moved to New York City, New York on 7 October 1937 where it ran for 288 performances. Gertrude Lawrence played the role of Susan. See more »
When Irene sends the men out of the room before Barrie comes in, she takes a cigarette from a porcelain box on the table, tapping it on the box lid. Cut to Barrie opening his car door and stumbling up the steps to the porch. There is an immediate cut back to Irene who is just putting the lid back on the box. See more »
If you want to know anything about this glamour business, just come to your mother.
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This film is an odd one in Joan Crawford's MGM films, but entertaining and well worth viewing for one of Crawford's better, more carefully thought-out performances. Originally purchased for Norma Shearer (who balked at playing the mother of a teenager), this dramatic comedy provides a fine framework for one of Crawford's few successful comedy portrayals. Widely faulted at the time for too closely copying Gertrude Lawrence's stage performance (in the same role), today it is apparent how much originality and commitment Crawford brought to the part of Susan, a flighty upper-crust socialite hell bent on bringing her newfound religious enlightenment to her family and friends, with disastrous results.
Frederick March turns in a fine, delicately shaded performance as Susan's long suffering husband who is driven to drink by her fecklessness. Majorie Main, as Susan's down-to-earth housekeeper, almost steals the film and Rose Hobart gives a brilliant, tense performance as Susan's unhappy best friend.
This is a first rate MGM production of its day, with stunning costumes and brilliant supporting players. This film has often been overlooked by fans and critics alike, but it offers many delights and highlights excellent contributions by George Cukor, the director, and the rest of the MGM production team. The subject (born again religious mania) is, as more than one film critic has noted, rather an odd one for Golden Age Hollywood to have touched on at all, but it is handled with care and Susan, in the end, emerges a wiser, happier woman. No Joan Crawford fan should miss it!
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