Julia Ross secures employment, through a rather-noisy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. Two days later, she awakens in a different house ... See full summary »
Joseph H. Lewis
Dame May Whitty,
Rising reporter Michael Ward is a key witness in the murder trial of young Joe Briggs, who is convicted on circumstantial evidence while swearing innocence. Mike's girl Jane believes in Joe and blames Mike, who (in a remarkable sequence) dreams he is himself convicted of murdering his nosy neighbor. Will his dream come true before Jane can find the real murderer? Written by
Rod Crawford <email@example.com>
Composer Roy Webb recycled the main theme in "Murder My Sweet." See more »
When Jane leaves the coffee shop to follow the Stranger, the shades on the doors are shown to be higher from the outside than they were from the inside. See more »
What if she's right - he didn't do it, and they give him the chair?
Suppose they do? What difference does it make? There's too many people in the world anyway.
What's the use of talking to you? You think everything's a joke.
My son, it is. If it weren't, life wouldn't be worth living.
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Considered the First Film-Noir of the Cinema History
The reporter Michael 'Mike' Ward (John McGuire) is promoted in the newspaper when he becomes the key witness of the murder trial of Joe Briggs (Elisha Cook Jr.), a young man that he had seen threatening the victim Nick in his coffee shop and then leaving the place with Nick with sliced neck. Joe swears innocence and despite the circumstantial evidence, he is convicted and sentenced to the electric chair. Mike's fiancée Jane (Margaret Tallichet) feels uncomfortable with the sentence and believes that Joe might be innocent. Mike loses his confidence and feels remorse for his testimony accusing Joe.
One night, Mike brings Jane to his room and his nosy neighbor Albert Meng (Charles Halton) brings the landlord that expels Jane from the boarding house. Mike threatens Meng and later he sees a stranger with bulging eyes (Peter Lorre) on his floor that runs away from him. He has a weird nightmare and when he wakes up, he finds that Meng is murdered with sliced neck similar to Nick. Mike calls the police and is arrested as prime suspect of both murders. Jane seeks out the stranger on the streets to save her fiancé.
"Stranger on the Third Floor" is considered the first film-noir of the cinema history. The story is engaging, supported by magnificent cinematography, and the sequence of Mike's nightmare is fantastic. Peter Lorre is creepy and the conclusion is naive on the present days. My vote is seven.
Title (Brazil): "O Homem dos Olhos Esbugalhados" ("The Man with Bulging Eyes")
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