| Margaret Sullavan | ... | Klara Novak | |
| James Stewart | ... | Alfred Kralik | |
| Frank Morgan | ... | Hugo Matuschek | |
| Joseph Schildkraut | ... | Ferencz Vadas | |
| Sara Haden | ... | Flora | |
| Felix Bressart | ... | Pirovitch | |
| William Tracy | ... | Pepi Katona | |
| Inez Courtney | ... | Ilona | |
| Sarah Edwards | ... | Customer | |
| Edwin Maxwell | ... | Doctor | |
| Charles Halton | ... | Detective | |
| Charles Smith | ... | Rudy | |
| rest of cast listed alphabetically: | |||
| Charles Arnt | ... | Policeman (uncredited) | |
| Joan Blair | ... | Customer Recognizing Matuschek (uncredited) | |
| Mary Carr | ... | Grandmother (uncredited) | |
| Mabel Colcord | ... | Aunt Anna (uncredited) | |
| Claire Du Brey | ... | Customer (uncredited) | |
| William Edmunds | ... | Waiter (uncredited) | |
| Grace Hayle | ... | Plump Woman (uncredited) | |
| Ernst Lubitsch | ... | Himself - Director - in Trailer (uncredited) | |
| Mira McKinney | ... | Customer (uncredited) | |
| Renie Riano | ... | Customer (uncredited) | |
| Gertrude Simpson | ... | Customer (uncredited) | |
| Ruth Warren | ... | Customer (uncredited) | |
Directed by | |||
| Ernst Lubitsch | |||
Writing credits | ||
| Samson Raphaelson | (screenplay) | |
| Miklós László | (based on a play by) (as Nikolaus Laszlo) | |
| Ben Hecht | uncredited | |
Produced by | |||
| Ernst Lubitsch | .... | producer | |
Original Music by | |||
| Werner R. Heymann | (musical score) | ||
Cinematography by | |||
| William H. Daniels | (director of photography) (as William Daniels) | ||
Film Editing by | |||
| Gene Ruggiero | (film editor) | ||
Art Direction by | |||
| Cedric Gibbons | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Makeup Department | |||
| Sydney Guilaroff | .... | hair styles: Miss Sullavan | |
Production Management | |||
| Arthur Rose | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Horace Hough | .... | assistant director (uncredited) | |
Art Department | |||
| Wade B. Rubottom | .... | associate art director | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
Music Department | |||
| Wally Heglin | .... | orchestrator (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
A wonderful film, filled with great understated performance and sharp, intelligent dialogue. What really distinguishes the film, however, is that undercurrent of sadness throughout. The story is underscored by affairs, loneliness, suicide, disappointment, the fear of losing ones job in a world where that had disastrous consequences. Most of all it was set in a world that no longer existed, having been ripped apart by the beginning of World War II. In fact, the film is barely a comedy at all if you compare the percentage of serious scenes to the comic scenes. Yet funny it is--listen to Margaret Sullivan's harsh dismissal of Jimmy Stewart and watch his pained expression as he replies that her comments were a remarkable blend "of poetry and meanness". It's funny, pointed, and sad all at once. A remarkable achievement and one of the ten greatest screen comedies ever made.