Just before Christmas, Lee Leander is caught shoplifting. It is her third offense. She is prosecuted by John Sargent. He postpones the trial because it is hard to get a conviction at ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
In Budapest, Hungary, the Matuschek and Company store is owned by Mr. Hugo Matuschek and the bachelor Alfred Kralik is his best and most experienced salesman. When Klara Novak seeks a job position of saleswoman in the store, Matuschek hires her but Kralik and she do not tolerate each other. Meanwhile the lonely and dedicated Kralik has an unknown pen pal that he intends to propose very soon; however, he is fired without explanation by Matuschek in the night that he is going to meet his secret love. He goes to the bar where they have scheduled their meeting with his colleague Pirovitch and he surprisingly finds that Klara is his correspondent; however, ashamed with the unemployment, he does not disclose his identity to her. When Matuschek discovers that he had misjudged Kralik and committed a mistake, he hires him again for the position of manager. But Klara is still fascinated with her future fiancé and does not pay much attention to Kralik. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on February 26, 1945 with Felix Bressart reprising his film role. See more »
When Klara hurries out of the back room with her hat and coat she rushes past the rest of the employees as they enter the room in a group. Flora is the second-to-last person in the line and she is clearly inside the room before Klara runs past. In the next cut showing Klara hurrying through the store, Flora is the last person in line and is still in the doorway. See more »
Flora, take a letter. Ah... To whom it may concern. Mr. Vadas has been in the employ of Matuschek & Company for the last two years, during which he has been very efficient as a stool pigeon, a troublemaker, and a rat.
Now look here!
And if he doesn't clear out of here he's going to get a punch in the nose! Yours very truly, Alfred Kralik, Manager, Matuschek & Company.
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The Stewart /Sullavan relationship and the warmth which flows on the screen are only one bend in a most extraordinary river.Although "extraordinary" is not the right word,because everything here is ordinary,no hero,no spectacular events and however,something happens.
The shop is a life microcosm,with its little quiet joys and its bitter disappointments,but,Lubitsch,here very close to Capra ,proves that virtuous gents like Stewart character can triumph in the end;and the final scene of the lovers is one of the wittier in the whole cinema.We seem to know all the clerks in the shop as if we've known them for years,and their everyday life is depicted with love and affection.The yuletide spirit is captured with a lot of emotion-check the scene between the boss and his new delivery boy Rudi and predates "it's a wonderful life" by five years.
The main topic is the fear of solitude.The shop is the place where everyone can feel he is part of a family,a family sometimes truer than the real one (see the boss's wife).And the director wants to make sure that ,when they leave their work on Xmas night,everyone is not on his own.A masterful conclusion.
The remake "you've got mail" featuring Ryan and Hanks is politically correct to a fault.All Lubitsch's movie charm and poetry seem to have been swallowed by the computers.
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