The Roth family lead a quiet life in a small village in the German Alps during the early 1930's. When the Nazi's come to power, the family is divided and Martin Brietner, a family friend is... See full summary »
During WWI Bill Pettigrew, a naive young Texan soldier is sent to New York for basic training. He meets worldly wise actress Daisy Heath when her car nearly runs him over. Daisy agrees to ... See full summary »
In Budapest, Hungary, the Matuschek and Company store is owned by Mr. Hugo Matuschek and the bachelor Alfred Kralik is his best and most experienced salesman. When Klara Novak seeks a job position of saleswoman in the store, Matuschek hires her but Kralik and she do not tolerate each other. Meanwhile the lonely and dedicated Kralik has an unknown pen pal that he intends to propose very soon; however, he is fired without explanation by Matuschek in the night that he is going to meet his secret love. He goes to the bar where they have scheduled their meeting with his colleague Pirovitch and he surprisingly finds that Klara is his correspondent; however, ashamed with the unemployment, he does not disclose his identity to her. When Matuschek discovers that he had misjudged Kralik and committed a mistake, he hires him again for the position of manager. But Klara is still fascinated with her future fiancé and does not pay much attention to Kralik. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to Bright Lights Film Journal website, When Kralik mentions "You read Zola's Madame Bovary," Klara immediately corrects him: "Madame Bovary is not by Zola," she snipes. The joke here is that though Klara knows who wrote Madame Bovary, she doesn't understand that she herself is living exclusively in Emma Bovary's world of impossible ideals. See more »
After dismissing his employees for the night, Mr. Matuschek sees Vadas leave the shop. As he watches him close the door, you can clearly hear off camera directions that sound like "turn" and "he's gone." See more »
Now if I were a girl and had to choose between a young good-for-nothing with plenty of hair and a good, solid, mature citizen, I'd pick Mathias Popkin every time.
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A wonderful film, filled with great understated performance and sharp, intelligent dialogue. What really distinguishes the film, however, is that undercurrent of sadness throughout. The story is underscored by affairs, loneliness, suicide, disappointment, the fear of losing ones job in a world where that had disastrous consequences. Most of all it was set in a world that no longer existed, having been ripped apart by the beginning of World War II. In fact, the film is barely a comedy at all if you compare the percentage of serious scenes to the comic scenes. Yet funny it is--listen to Margaret Sullivan's harsh dismissal of Jimmy Stewart and watch his pained expression as he replies that her comments were a remarkable blend "of poetry and meanness". It's funny, pointed, and sad all at once. A remarkable achievement and one of the ten greatest screen comedies ever made.
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