Columbia's 12th serial of 57 total (following 1940's "Deadwood Dick" and ahead of 1941's "White Eagle") is another of director's James Horne's "classics" where he evidently figured that the... See full summary »
People are literally flying off balconies to their deaths as Lamont Cranston, aka the Shadow, tries to make sense out of a confusing jumble of murders, disappearances, jewels that aren't ... See full summary »
Lamont Cranston, aka the Shadow, has his hands full as the murder of blackmailing reporter Jeff Mann is blamed on him. Not only does the real murderer seem one step ahead of him as Lamont ... See full summary »
Chris Moore (Ryan Carnes) is an urban daredevil who gets his kicks from racing across rooftops. When a secret organization approaches him with proof that he is actually the son of a ... See full summary »
Columbia's 7th serial (between Flying G-Men and Overland With Kit Carson)was based on the King Features newspaper comic strip created by Lee Falk and Phil Davis, Mandrake the Magician, the ... See full summary »
Mary Gillespie is restoring the Col. Gillespie Circus to its former splendor after her father's death. With the help of her publicist boyfriend Jim, the sell-out crowds are returning to the... See full summary »
Charles C. Coleman
Columbia's 9th serial, slotted between "Overland With Kit Carson" and "Terry and the Pirates", was intended to have Lorna Gray in the role played by Veda Ann Borg, and to have been co-directed by D. Ross Lederman and Norman Deming. The credits specified the serial was "Based upon stories published in "The Shadow Magazine", while the ads proclaimed it to be "right out of the air waves and magazine stories." What appeared was a mixture of both with Lamont Cranston the true identity of The Shadow, although Lamont Cranston was only an occasional disguise of the pulp magazine Shadow. The hypnotic invisibility of the radio character was completely ignored, as was the almost invisible "Living Shadow" of the pulps.(In the serial, the only invisible man (The Black Tiger) was the villain, as even James Horne probably realized that six to ten henchmen taking orders from an invisible man was more plausible then six to ten henchman falling all over the place from unseen blows delivered by an ... Written by
Les Adams <firstname.lastname@example.org>
Chapter Titles: 1) The Doomed City, 2) The Shadow Attacks, 3) The Shadow's Peril, 4) In the Tiger's Lair, 5) Danger Above, 6) The Shadow's Trap, 7) Where Horror Waits, 8) The Shadow Rides the Rails, 9) The Devil in White, 10) The Underground Trap, 11) Chinatown Night, 12) Murder by Remote Control, 13) Wheels of Death, 14) The Sealed Room, 15) The Shadow's Net Closes. See more »
Typical Columbia missed opportunity. Silly plot, director more at home in comedy shorts (and it shows), and a ludicrous villain with all the real menace of a banana; but it could have been bearable if they hadn't changed the Shadow himself so much. Victor Jory makes the most of the material, but now he's just a criminologist who tosses on a cloak and hat and goes around fighting evil. No invisibility (although the bad guy CAN), hardly any mocking laughter, just explosion after explosion trapping him, only to have him rise from the debris, dust himself off, and head out the door to the next explosion. Turn off the lights and go back to the radio...
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