Lamont Cranston assumes his secret identity as "The Shadow", to break up an attempted robbery at an attorney's office. When the police search the scene, Cranston must assume the identity of... See full summary »
Rod La Rocque,
In this science-fiction anthology series host Truman Bradley introduces stories extrapolated from actual scientific data available in the 1950's, concentrating on such concepts as space ... See full summary »
Lamont Cranston (Rod La Rocque), amateur criminologist and detective, with a daily radio program, sponsored by the Daily Classic newspaper, has developed a friendly feud that sometimes ... See full summary »
Rod La Rocque,
Thomas E. Jackson
People are literally flying off balconies to their deaths as Lamont Cranston, aka the Shadow, tries to make sense out of a confusing jumble of murders, disappearances, jewels that aren't ... See full summary »
Columbia's 12th serial of 57 total (following 1940's "Deadwood Dick" and ahead of 1941's "White Eagle") is another of director's James Horne's "classics" where he evidently figured that the... See full summary »
Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates) search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Columbia's 9th serial, slotted between "Overland With Kit Carson" and "Terry and the Pirates", was intended to have Lorna Gray in the role played by Veda Ann Borg, and to have been co-directed by D. Ross Lederman and Norman Deming. The credits specified the serial was "Based upon stories published in "The Shadow Magazine", while the ads proclaimed it to be "right out of the air waves and magazine stories." What appeared was a mixture of both with Lamont Cranston the true identity of The Shadow, although Lamont Cranston was only an occasional disguise of the pulp magazine Shadow. The hypnotic invisibility of the radio character was completely ignored, as was the almost invisible "Living Shadow" of the pulps.(In the serial, the only invisible man (The Black Tiger) was the villain, as even James Horne probably realized that six to ten henchmen taking orders from an invisible man was more plausible then six to ten henchman falling all over the place from unseen blows delivered by an ... Written by
Les Adams <email@example.com>
Chapter Titles: 1) The Doomed City, 2) The Shadow Attacks, 3) The Shadow's Peril, 4) In the Tiger's Lair, 5) Danger Above, 6) The Shadow's Trap, 7) Where Horror Waits, 8) The Shadow Rides the Rails, 9) The Devil in White, 10) The Underground Trap, 11) Chinatown Night, 12) Murder by Remote Control, 13) Wheels of Death, 14) The Sealed Room, 15) The Shadow's Net Closes. See more »
Personally, being such a radio fan, I have come across some information that other reviewers do not seem to be aware of. First of all is the fact that the portrayal of the Shadow in this film predates, for the most part, the characterization of the Shadow in the radio series. There are a few differences between the original version of the Shadow and that of the radio show.
Originally, the Shadow was a mysterious host of a show called "The Street and Smith Dectective Story Hour." He had no character. However, the sponsor of the program eventually noticed that the host of the series was more famous than the series itself.
Thus, a series of "Shadow" novels came out. The Shadow, while lacking the ability to make himself invisible, managed to steal other people's identities. He would run around, pretending to be someone else, while not having an identity of his own.
Originally, the identity of Lamonte Cranston was just a stolen identity. Some time after the Shadow had been spun off into a comic book series of his own, Margo Lane met a man named Lamonte Cranston on a cruise. On the way back, the Shadow masqueraded as Lamonte Cranston and Margo Lane got the two confused.
This is more or less the version of the Shadow that the serial bases itself upon. The radio series started with a Shadow who had all kinds of abilities. However, the series gave the Shadow the power of invisibility and toned down all the other powers to the point that the radio version of the Shadow practically had no other abilities.
Needless to say, saying this version of the Shadow is disappointing just because it is not the Shadow of the radio series is not fair. The serial would have very likely been based on the Shadow of the pulp novels, comic books, etc, of the thirties. The radio series, which did not become popular until some time later, gave the Shadow his powers of invisibility and pretty much got rid of the rest of his abilities. This is something other reviewers do not appear to be aware of.
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