Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
Highly fictionalized account (see 'goofs' for examples) of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in ... See full summary »
Olivia de Havilland,
Union officer Kerry Bradford escapes from Confederate Prison and is set to Virginia City in Nevada. Once there he finds that the former commander of his prison Vance Irby is planning to send $5 million in gold to save the Confederacy.
Geoffrey Thorpe is an adventurous and dashing pirate, who feels that he should pirate the Spanish ships for the good of England. In one such battle, he overtakes a Spanish ship and when he comes aboard he finds Dona Maria, a beautiful Spanish royal. He is overwhelmed by her beauty, but she will have nothing to do with him because of his pirating ways (which include taking her prized jewels). To show his noble side, he suprises her by returning the jewels, and she begins to fall for him. When the ship reaches England, Queen Elizabeth is outraged at the actions of Thorpe and demands that he quit pirating. Because he cannot do this, Thorpe is sent on a mission and in the process becomes a prisoner of the Spaniards. Meanwhile, Dona Maria pines for Thorpe and when he escapes he returns to England to uncover some deadly secrets. Exciting duels follow as Thorpe must expose the evil and win Dona Maria's heart. Written by
Julie Sherman <email@example.com>
During the initial fight, stock footage is used showing two Napoleonic era ships of the line at close quarters. There is only a minor similarity between the galleys of the 16th century and the ships of the line of the late 18th century. See more »
King Philip II:
The riches of the New World are limitless, and the New World is ours - with our ships carrying the Spanish flag on seven seas, our armies sweeping over Africa, the Near East, and the Far West; invincible everywhere... but on our own doorstep. Only northern Europe holds out against us; why? Tell me, why?
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A Lot To Like In Yet Another Entertaining Flynn Film
This is definitely an Errol Flynn classic, meaning one of his best films and the charismatic star of the mid-'30s to mid-'40s did a number of entertaining ones. He's best known - on screen, that is - as a swordsman from his "Captain Blood" and "Adventures of Robin Hood" days, but he also was terrific as boxer James J. Corbett in "Gentlemen Jim" and as western star "Wade Hatton" in "Dodge City."
He's great here as pirate "Geoffrey Thorpe" and what makes this pirate movie different is that half of the action scenes are on land, not sea. (They on are on island, or back in the castle of Queen Elizabeth). Flynn captains "The Albatross" and is a privateering ship captain for her Majesty the queen in the 1500s. They are battling the Spanish in this story. The real bad guys are some of the turncoats in Elizabeth's court.
The film is interesting even with its length of over two hours. It keeps a good balance of drama, action, romance and suspense, never overdoing any of those.
While it's hard to beat the entertainment duo of Director Michael Curtiz and actor Flynn, Brenda Marshall as "Doria Maria," Thorpe's love interest, doesn't quite cut it. Olivia de Havilland usually played his female interest, and - although that doesn't require she play in every Flynn movie - they could have found someone more attractive and likable than Marshall who, justifiably, had a thin career. Her casting in here is a big mystery to me.
Whatever, Flora Robson was fun to watch as "Queen Elizabeth." Claude Rains and Henry Daniell played their normal bad-guy roles well and Thorpe's crew, led by Flynn's best friend Alan Hale, are all entertaining guys.
I enjoyed the sepia-tone sequence when Flynn and the boys go for the gold on the Panama island. That was a nice, little visual twist to this black-and-white movie..
Not to be left out is the sweeping score, under the direction of Erich Wolfgang Korngold, which is one of the more magnificent ones you'll hear in a classic film.
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