6.5/10
304
16 user 7 critic

Saturday's Children (1940)

Approved | | Drama, Romance | 11 May 1940 (USA)
Pretty Bobby Halevy loves Rims Rosson, a dreamer and inventor without much going for him. Rims has a scheme of going to Manila to turn hemp into silk and become rich. But when one of her ... See full summary »

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Writers:

(screen play), (screen play) | 1 more credit »
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Cast

Complete credited cast:
...
...
...
...
...
Florrie Sands
...
Gertrude Mills
...
Herbert Smith
...
Mrs. Halevy (as Elizabeth Risdon)
...
Mr. Norman
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Storyline

Pretty Bobby Halevy loves Rims Rosson, a dreamer and inventor without much going for him. Rims has a scheme of going to Manila to turn hemp into silk and become rich. But when one of her family talks Bobby into tricking Rims into marriage, the real world comes crashing down on the couple. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

Young, Married, Poor...and Proud of it!

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

11 May 1940 (USA)  »

Also Known As:

Confiança no Futuro  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on June 2, 1947 with John Garfield reprising his film role. See more »

Goofs

A moving shadow of the camera is visible on the "How to Bowl" magazine as it pulls back to reveal Bobby practicing with a cabbage. See more »

Quotes

Willie Sands: Two can live as cheap as one... if one don't eat!
See more »

Connections

Version of Saturday's Children (1929) See more »

Soundtracks

La Cucaracha
(uncredited)
Traditional
Played as dance music at the going away party
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
This won a Pulitzer? Really?
18 November 2014 | by See all my reviews

So the title card claims, and it's based on a play by Maxwell Anderson, a distinguished American playwright who tackled tough subjects--fascism, apartheid, congressional dysfunction. I don't know this play, but whatever it was, the Epstein brothers utterly standardized it in their thin- blooded adaptation, a weak domestic drama where co-workers John Garfield and Anne Shirley meet, fall in love, marry, and suffer small-people problems. He's polite and mild-mannered and uninteresting, and she's pure ingenue, and watching them trod along the well-worn path of conventional screen romance has no bite. Even Claude Rains, as her father, seems disengaged. At least Lee Patrick, as her scheming sister, and Roscoe Karns, as her cynical brother-in-law, provide a little bite, and George Tobias is on the periphery, playing what he always played. But, despite an attempted suicide, a hidden pregnancy, and penny-ante deceptions in the young pair's marriage, it's slow, repetitive, and unfelt. And it needs edge. Oh, how it needs edge.


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