Barbershop owners Stanley and Oliver both answer a personal ad from a rich widow seeking a husband. Oliver hides Stanley's reply and mails just his own. When Oliver receives a proposal of ... See full summary »
Stanley and Oliver are mousetrap salesmen hoping to strike it rich in Switzerland, but get swindled out of all their money by a cheesemaker. While working off their hotel debt, Oliver falls... See full summary »
It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to... See full summary »
Unbeknownst to Stanley and Oliver, their long-lost twin brothers, sailors Alfie and Bert are in town on shore leave carrying a valuable pearl ring entrusted to them by their ship's captain.... See full summary »
Oliver is heartbroken when he finds that Georgette, the inkeeper's daughter he's fallen in love with, is already married to dashing Foreign Legion officer Francois. To forget her, he joins ... See full summary »
A band of Gypsies are camped outside the walls of Count Arnheim's palace. Oliver's wife kidnaps the Count's daughter Arline, then leaves the child and runs off with her lover, Devilshoof. ... See full summary »
Brain specialist Oliver and his secretary Stanley bicker over listening in on each other's phone calls. Nevertheless, plans procede to celebrate the anniversary of their weddings to each ... See full summary »
The Hardys, hoping to avoid having the Laurels drop in and spoil their quiet evening, pretend not to be home when the couple inevitably call. But their subterfuge is discovered, and to make... See full summary »
It looks like the boys won't need to fish off the end of the pier to feed themselves any longer when Stanley's rich uncle Ebenezer Laurel dies, leaving a large estate. But when he and ... See full summary »
After working in the noisy horn factory, just the sound of one drives Oliver into a violent fit. Dr. Finlayson prescribes a long, restful sea voyage, so Stan and Oliver rent a boat and set sail, unaware that escaped killer Nick Grainger has stowed away onboard. To disable the crook, the boys prepare him a meal using string for spaghetti, sponges for meatballs and soap for cheese. But Grainger discovers their plan and decides to make them eat the stuff themselves. Written by
Paul Penna <email@example.com>
Fans regard this as the last true Laurel and Hardy film. It was their last film done for Hal Roach. It would also be the last film in which they would have significant input. See more »
Mrs. O'Riley shows Hardy her refrigerator/radio, which plays a brassy tune. Hardy, who is suffering from "Hornophobia", doesn't react to the music however, as he does throughout the rest of the picture whenever he hears horns. See more »
While the premise of the film is pretty lame (Ollie is diagnosed with "hornophobia"), the film is an amiable and enjoyable little flick. It's also a darn bit better than the films they went on to make after this one--probably since this was the last Hal Roach-produced Laurel and Hardy film. In fact, it wouldn't be a bad idea not to see ANY of their latter films, as the entire chemistry is lost in these films and the boys play their parts purely for pathos--something true Laurel and Hardy films NEVER would do. They had a bit of an edge that all the later films lack.
Stan and Ollie work at a horn factory. This sounds pretty funny, but it isn't. Not surprisingly with all the racket, Ollie is about to have a nervous breakdown and must take some time off work. The doctor (James Finlayson--in his last film with the team) recommends an ocean voyage. However, they don't like sailing and Stan has an idea of just renting a boat tied to the dock--then they can get all the sea air they want without all the bother! Once they are on the boat, a dangerous escaped criminal boards the boat and they all accidentally set out to sea. Fortunately, this portion of the film actually was well-paced and the very end worked out very well.
While not a great full-length Laurel and Hardy film, it was much better than many of them since it had no annoying and distracting musical numbers (like in THE DEVIL'S BROTHER or BABES IN TOYLAND). Additionally, there is still a decent amount of physical comedy--something you would see almost none of after this film. Part of this was due to the boys' declining health (and Ollie's increasing girth) and part of it was due to the overall insipidness of these later films.
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