Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
Unjustly booted out of the cavalry, Mike McComb strikes out for Nevada, and deciding never to be used again, ruthlessly works his way up to becoming one of the most powerful silver magnates... See full summary »
A Confederate troop, led by Captain Lafe Barstow, is prowling the far ranges of California and Nevada in a last desperate attempt to build up an army in the West for the faltering ... See full summary »
Amelia is a gifted violinist who is in danger of quitting the Brissac Academy of Music. Julius arranges to have a scholarship given to her through his employee Tony so that Julius can ... See full summary »
Olivia de Havilland,
The story of Jeb Stuart, his romance with Kit Carson Holliday, friendship with George Custer and battles against John Brown in the days leading up to the outbreak of the American Civil War. Written by
Col Needham <firstname.lastname@example.org>
Shown at some engagements with Warner Bros.' new Vitasound audio process. Often incorrectly called a stereophonic process, Vitasound actually combined a standard, variable width monophonic soundtrack with a second, variable width control track, located between the soundtrack and the sprocket holes, that increased loudness for certain scenes by switching on additional amplifiers and speakers. See more »
Toward the end of the film, in the establishing shot of John Brown's hanging sequence, three men in formal dress are shown on the left side of the road. Subsequently they appear on the right, and then there is one more. See more »
Cyrus K. Holliday:
Kit, once when you were about this high, Tex and Windy brought home a wolf cub with a broken back. You nursed it for weeks, but it finally died with his head in your lap. You cried for days. But it was just a wolf cub. And it probably would have grown up to be a killer like its father.
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A powerful movie too interested in the truth to take sides.
"Santa Fe Trail" is like the doubloon nailed to the mainmast in the novel "Moby Dick": how you interpret it depends on your point of view. Some viewers will see it as a tribute to the chivalrous values of the pre-civil war military establishment, which was dominated by southern aristocrats like General Robert E. Lee, while others may see it mainly as the tragic saga of the anti-slavery martyrs of Harper's Ferry, whose self-sacrifice brought on the war to free the slaves. Cavalry officer Jeb Stuart seems either gallant and nobly courageous, or like a pompous martinet, while abolitionist John Brown is a violence loving madman, or one of the most dedicated and selfless heroes of all time. This exciting, action-packed movie refuses to take sides but permits the viewer to make his own decisions about the important themes presented.
What about its use of history, though, which has vexed so many critics? Like any great mythopoeic work, "Santa Fe Trail" should be judged not as historical record but as a legend or myth that tells universal truths. Historicism, which in movie criticism is the theory that all works should be judged by the standard of recorded history, has not enjoyed much favor among the most respected experts on the subject of art. Were this not so, the "Iliad," "Macbeth" and "The Adventures of Robin Hood" would long ago have been rejected as false history, because not one of them is faithful to many of the known facts deemed so important by historicist critics.
Judged on its own terms and from the perspective of facts that have proved true not just in one place and time but in many places and in many periods of history, then "Santa Fe Trail" is a classic in the best sense, and thrilling entertainment too. Like all war movies that are any good, it is a powerful anti-war movie.
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