Highly fictionalized account (see the IMDB 'goofs' for examples) of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big ... See full summary »
Olivia de Havilland,
A Confederate troop, led by Captain Lafe Barstow, is prowling the far ranges of California and Nevada in a last desperate attempt to build up an army in the West for the faltering ... See full summary »
Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants ... See full summary »
Olivia de Havilland,
Humphrey van Weyden, a writer, and fugitives Ruth Webster and George Leach have been given refuge aboard the sealer "Ghost," captained by the cruel Wolf Larsen. The crew mutinies against ... See full summary »
Edward G. Robinson,
In WW I dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the War, he becomes a producer. In WW II his son Johnny Jones, who was before his ... See full summary »
The story of Jeb Stuart, his romance with Kit Carson Holliday, friendship with George Custer and battles against John Brown in the days leading up to the outbreak of the American Civil War. Written by
Col Needham <firstname.lastname@example.org>
The final battle takes place in a building called "The Arsenal". The Federal Armory at Harpers Ferry was actually a complex of manufacturing, storage, and office buildings. During the fighting, John Brown's force finally took refuge in the Fire House, one of the smallest of the buildings on the Armory grounds. The Fire House was built of brick but had three large wooden doors through which the firefighting equipment could move. See more »
A powerful movie too interested in the truth to take sides.
"Santa Fe Trail" is like the doubloon nailed to the mainmast in the novel "Moby Dick": how you interpret it depends on your point of view. Some viewers will see it as a tribute to the chivalrous values of the pre-civil war military establishment, which was dominated by southern aristocrats like General Robert E. Lee, while others may see it mainly as the tragic saga of the anti-slavery martyrs of Harper's Ferry, whose self-sacrifice brought on the war to free the slaves. Cavalry officer Jeb Stuart seems either gallant and nobly courageous, or like a pompous martinet, while abolitionist John Brown is a violence loving madman, or one of the most dedicated and selfless heroes of all time. This exciting, action-packed movie refuses to take sides but permits the viewer to make his own decisions about the important themes presented.
What about its use of history, though, which has vexed so many critics? Like any great mythopoeic work, "Santa Fe Trail" should be judged not as historical record but as a legend or myth that tells universal truths. Historicism, which in movie criticism is the theory that all works should be judged by the standard of recorded history, has not enjoyed much favor among the most respected experts on the subject of art. Were this not so, the "Iliad," "Macbeth" and "The Adventures of Robin Hood" would long ago have been rejected as false history, because not one of them is faithful to many of the known facts deemed so important by historicist critics.
Judged on its own terms and from the perspective of facts that have proved true not just in one place and time but in many places and in many periods of history, then "Santa Fe Trail" is a classic in the best sense, and thrilling entertainment too. Like all war movies that are any good, it is a powerful anti-war movie.
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