Sailor (Hall) is going to marry his girlfriend (Kelly) when he returns, but she becomes foster mother to baby whose parents are accidentally killed. The baby is accidentally left on board a...
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"Docudrama" about the bombing of Pearl Harbor on December 7th, 1941 and its results, the recovering of the ships, the improving of defense in Hawaii and the US efforts to beat back the Japanese reinforcements.
American correspondent Bill Roberts is a thorn in the side of the Nazis, as his paper always scoops the world with the truth about Germany. Gestapo Captain Carl Von Rau means to plug the ... See full summary »
A leading American spy has a miniature camera surgically implanted in his eye, unbeknownst to him, and with it photographs secrets for the Russians, helping them gather information about a newly created death ray.
After selling his cattle in town, ranch owner Morgan unexpectedly dies, and his foreman Pike has to deliver the payroll to Sonora, despite the perilous journey during which he's followed by many shady characters who want the money.
Mike Hagan is a pilot in passenger service and candidate for the honor "Best Pilot of the Year". Nobody knows that he's got private sorrows - he's an alcoholic. A stewardess notices his regular visits of the toilet and reports it.
Sailor (Hall) is going to marry his girlfriend (Kelly) when he returns, but she becomes foster mother to baby whose parents are accidentally killed. The baby is accidentally left on board a visiting battleship. Written by
Ed Stephan <firstname.lastname@example.org>
A cult director, a great cast, but a "B" movie nonetheless
For the first half of its 66-minute running time, this is a forced, labored, uninspired, supremely talky, but totally unfunny "comedy". But then director Allan Dwan suddenly lifts his game by staging a rather exciting slugging match. After this bout, the script improves as well by introducing the same plot theme that was later better served by "The Baby and the Battleship". This plot gimmick is also used to our advantage by enabling the introduction in quick succession of a whole fleet of familiar, but welcome faces. Alas, the fun doesn't last! Aside from the sequences just mentioned, the movie as a whole has very little to recommend it. The photography is pretty ordinary; Dana Andrews is wasted in a minor role; and the heroine, as written by Frank Wead and played by Nancy Kelly, must rank as one of the least attractive ever presented in a Fox movie. Admittedly, production values are quite lavish by "B" standards, but they can do little to rescue the forced script and the unappealing leads.
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