Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Baby photographer Ronnie Jackson, on death row in San Quentin, tells reporters how he got there: taking care of his private-eye neighbor's office, Ronnie is asked by the irresistible ... See full summary »
When the Lemon Drop Kid accidentally steers Moose Moran's girl away from a winning bet, he is forced to come up with $10,000 to repay the angry gangster. Fortunately it's Christmas, a time ... See full summary »
Bob Hope is being stalked by a predatory widow who is a widow of wealthy husbands many times over. Martha Raye is a Texan heiress who wants to marry her boyfriend Andy Devine, but her ... See full summary »
In this sequel to "The Paleface", Bob Hope and Jane Russell return as the lead characters. Hope plays Junior Potter, who returns to claim his father's gold, which is nowhere to be found. ... See full summary »
Peanuts White, a burlesque comic, is recruited by U.S. agents to impersonate international spy Eric Augustine (whom White resembles) in a mission to purchase a million-dollar microfilm in ... See full summary »
Bumbling reporter Robert Kittredge has been fired after bungling his latest assignment. His career isn't all he's botched up: his girlfriend Chris is tired of waiting for him to marry her. ... See full summary »
An American actor (Arthur Tyler) impersonating an English butler is hired by a nouveau riche woman (Effie Floud) from New Mexico to refine her husband and headstrong daughter (Aggie). The ... See full summary »
In the climactic dance number, the natives of Kaigoon sing in Esperanto: "Behold, the new moon shines only love. A woman delights a man according to nature. So choose someone now and dance with him. A true heart beats indeed in each of us, ready and able and willing for you. Don't just stand there, come here." See more »
During "Sweet Potato Piper", hand movements on the pipe bear little correlation with the notes played and, in one instance, two notes are heard before the pipe is brought to the mouth. See more »
I just want you to stand there and admire me for a while. I just got an idea that's gonna make us a fortune. I don't know how I do it.
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The first of the Bob Hope and Bing Crosby "Road" series, and not the best.
What's wrong with it? People have complained that it is plot heavy but that's a little hard to swallow because the plot could be used to stuff a portobello mushroom.
The problem, I think, is that it's too serious, if you can believe it. When one of the guys loses Dorothy Lamour he acts as if he's really hurt, which destroys the ethos of the film. Too many songs, although none of them is worse than any of the ones that were to follow.
No ipsative gags. How could there be? There can't be any reference to earlier movies like this because there were no earlier movies like this. Bob Hope acts as if he is trying to follow the plot, instead of improvising and winging it. He hasn't become quite the cowardly miles gloriosus of the later films. Crosby is saddled with a past from which he's trying to escape. And the gags -- though lingered over -- just aren't there.
Yet it's not a bad movie. Two guys go to Southeast Asia and meet a girl. Everybody's good humored. It's diverting.
You won't be depressed after you see it.
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