Having to leave Melbourne in a hurry to avoid various marriage proposals, two song-and-dance men sign on for work as divers. This takes them to an idyllic island on the way to Bali where ... See full summary »
When the Lemon Drop Kid accidentally steers Moose Moran's girl away from a winning bet, he is forced to come up with $10,000 to repay the angry gangster. Fortunately it's Christmas, a time ... See full summary »
Peanuts White, a burlesque comic, is recruited by U.S. agents to impersonate international spy Eric Augustine (whom White resembles) in a mission to purchase a million-dollar microfilm in ... See full summary »
Princess Margaret is travelling incognito to elope with her true love instead of marrying the man her father has betrothed her to. On the high seas, her ship is attacked by pirates who know... See full summary »
During a lunch break, Bob Hope threw a handful of the soap suds at Dorothy Lamour and soon Bing Crosby became involved. The fight ended when Lamour cornered Hope and Crosby and threw all she had at them. The director was not particularly pleased because it would take hours to repair their hair, makeup, and clothing. See more »
During "Sweet Potato Piper", hand movements on the pipe bear little correlation with the notes played and, in one instance, two notes are heard before the pipe is brought to the mouth. See more »
Joshua Mallon IV:
You seem to think the world is just some sort of a three-ring circus, and all you've got to do is to run around and have fun.
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Bing Crosby, Bob Hope and Dorothy Lamour may never have been the Nelson Eddy and Jeanette MacDonald of the 1930s and 1940s Hollywood musicals, but anything they ever recorded during this period was better than any of the painful operetta stuff of the latter screen duo. Brilliant songs are featured once again, including `Too Romantic' and `The Willow and the Moon'.
ROAD TO SINGAPORE essentially is a romantic comedy with mass complications of playboys with serial patty-pan punching techniques, cheating people with soapsuds cleaner and both falling for Dottie. The slapstick gags featured are not as hilarious as the definitive film of the series, ROAD TO MOROCCO, but due to the enormous success of SINGAPORE, the trio's comedy skills allowed for a continuing series in which the progressing films became zanier.
Generally good direction, an agreeably funny script and a supporting cast headed by Charles Coburn only amounts to part of the fun.
However, once again Paramount, and in a more generalised context, Hollywood itself, displays its lack of understanding for foreign culture. Singapore, or the island in question, which isn't actually Singapore, looks like an extremely undeveloped Malaysia. The natives don't actually convince one of being native, nor do any of the ceremonial activities trick for one second.
Dorothy Lamour, although an exquisitely beautiful actress, does not resemble an islander native, although it isn't exactly her fault.
In the same manner, some people may find this film offensive, or any of the ROAD films because they are not a true representation for any culture. But most movies made during this period simply didn't have much regard to exact details of foreign lands. And in such a brilliant comedy, it doesn't really matter.
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