Popular songwriter Oliver Courtney has been getting by for years using one ghost writer for his music and another for his lyrics. When both writers meet at an inn, they fall in love and ... See full summary »
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Popular songwriter Oliver Courtney has been getting by for years using one ghost writer for his music and another for his lyrics. When both writers meet at an inn, they fall in love and then try to sell their songs under their own name. The problem is every song publisher thinks they're copying Courtney's style. Written by
Daniel Bubbeo <dbubbeo@cmp.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
This superb film draws on a variety of talented actors and musicians at the top of their form - Levant, Crosby, Martin, Rathbone, Manone are completely at home in the story that apparently was supplied by Billy Wilder. One would love to know more about how much he had to do with it, because it's an exceptionally clever variation on the sterile master/fertile servant tale - nearly an allegory of the entertainment industry, run by dried-up numskulls, but made into a vibrant world of art and play by an exploited underclass of nobodies and non-WASPs. Looking at the last six decades of music, TV, and film in the US, it's hard not to see the underlying insights of this film as prophetic.
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This superb film draws on a variety of talented actors and musicians at the top of their form - Levant, Crosby, Martin, Rathbone, Manone are completely at home in the story that apparently was supplied by Billy Wilder. One would love to know more about how much he had to do with it, because it's an exceptionally clever variation on the sterile master/fertile servant tale - nearly an allegory of the entertainment industry, run by dried-up numskulls, but made into a vibrant world of art and play by an exploited underclass of nobodies and non-WASPs. Looking at the last six decades of music, TV, and film in the US, it's hard not to see the underlying insights of this film as prophetic.