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Primrose Path (1940)

 -  Drama  -  22 March 1940 (USA)
7.1
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Ratings: 7.1/10 from 678 users  
Reviews: 18 user | 9 critic

Girl from the "wrong" side of the tracks falls in love with an ambitious young man from the "right" side of the tracks.

Director:

(as Gregory LaCava)

Writers:

(screen play), (screen play), 3 more credits »
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Title: Primrose Path (1940)

Primrose Path (1940) on IMDb 7.1/10

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
Ellie May Adams
...
Ed Wallace
Marjorie Rambeau ...
Mamie Adams
...
Gramp
...
Homer
Queenie Vassar ...
Grandma
Joan Carroll ...
Honeybell
Vivienne Osborne ...
Thelma
Carmen Morales ...
Carmelita
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Storyline

Ellie Mae lives on Primrose Hill with her good-hearted and fancy free mother, her drunken father, her younger sister and a mean-spirited grandmother. The Hill is not a good part of town, however. When she meets and falls for a hard-working man, they marry and she hides her past from him. When he discovers the truth it jeopardizes their marriage. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

22 March 1940 (USA)  »

Also Known As:

Le lys du ruisseau  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Recording System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

'The Primrose Path' opened at the Biltmore Thater on January 4, 1939 and ran for 166 performances. See more »

Goofs

When the "Portugee" (Portuguese) girl steps out of the cantina to call Ed back inside, she threatens to cut his ears off in Spanish, not Portuguese. See more »

Quotes

Gramp: The world would be a lot better off if there was no people in it.
See more »

Crazy Credits

Shown during opening credits: We live, not as we wish to, but as we can. --Menander, 300 BC See more »

Connections

Referenced in Choose Me (1984) See more »

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User Reviews

 
A good melodrama about a marriage created by lies and soured when the truth emerges, all with top-notch acting.
1 February 1999 | by (Pine Grove, California) – See all my reviews

I thoroughly enjoyed the acting in this film: Ginger Rogers as the daughter of prostitute Marjorie Rambeau (an Oscar nomination), who supports the family; Joel McCrea as the man Rogers sort of ropes into marrying; Miles Mander as her educated alcoholic father, who can translate Greek but is otherwise useless and knows it; Queenie Vassar as her grandmother, an ex-prostitute who would rather see Rogers become a prostitute than settle down with McCrea; and the remarkable young child actress, Joan Carroll as Rogers' young sassy kid sister. Her rendition of the poem "Don't Swat Your Mother, Boys" was a hoot. When McCrea meets Rogers as she digs for clams, and steals a kiss (her first one) as he starts to gives her a lift home, she falls in love. That night she goes to see McCrea at the Bluebell Club and lies when she says she's run away and can't return, never mentioning her family for fear of alienating him. They marry, but of course the truth comes out eventually, creating a rift. The acting is so natural I felt as though I was looking into a window observing the lives of these people.

The word "prostitute" is never mentioned (it would have given the 1940 censors apoplexy), but it was obvious anyway. Still, the film was banned in Detroit, and the play was modified to placate those censors. Queenie Vassar was primarily a stage actress; this was her first film.


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