84
Metascore
9 reviews · Provided by Metacritic.com
- 100TV Guide MagazineTV Guide MagazineA remarkable example of Hollywood's not choking on the prestige adorning the filming of a classic, Pride and Prejudice is an unusually successful adaptation of Jane Austen's most famous novel.
- 100Los Angeles TimesKevin ThomasLos Angeles TimesKevin ThomasMGM's 1940 Pride and Prejudice holds up better than you might expect as a prime example of Hollywood studio gentility in the '30s and '40s. [11 Aug 1996, p.74]
- 100Los Angeles TimesKenneth TuranLos Angeles TimesKenneth TuranAs the current Emma testifies, Jane Austen continues to knock them dead but nothing beats the high gloss of impeccable studio craftsmanship that elevates this Laurence Olivier-Greer Garson vehicle. [03 Apr 2020, p.E1]
- 90The New York TimesBosley CrowtherThe New York TimesBosley CrowtherHunt Stromberg and his associates have managed to turn out a film which catches the spirit and humor of Miss Austen's novel down to the last impudent flounce of a petticoat, the last contented sigh of a conquering coquette.
- 88Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonEven if you think you've sampled all Jane Austen has to offer on screen, you still may jump at the chance to see Pride and Prejudice. [29 Aug 1996, p.7A]
- 70Chicago ReaderDave KehrChicago ReaderDave KehrTypically overstuffed MGM prestige product (1940), but one that came out surprisingly well, with a minimum of Eng. Lit. posturing and some elegance of design.
- 70The New YorkerPauline KaelThe New YorkerPauline KaelAnimated and bouncing, the movie is more Dickens than Austen; once one adjusts to this, it's a happy and carefree viewing experience.
- 60Time OutTime OutSurprisingly dry and droll. Aldous Huxley's contribution to the script undoubtedly helped, but it is the cast which carries it.
- 40VarietyVarietyThe film is something less than satisfactory entertainment, despite lavish settings, costumes, and an acting ensemble of unique talent.