Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to ... See full summary »
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Sir William Hamilton, a widower of mature years, is British ambassador to the Court of Naples. Emma who comes for a visit with her mother wouldn't cut the grade with London society but she ... See full summary »
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to live nearby, the Bennets have high hopes. But pride, prejudice, and misunderstandings all combine to complicate their relationships and to make happiness difficult. Written by
Jane Austen's novel 'Pride and Prejudice' was probably ripe for MGM adaptation during WWII, even with the inevitable changes and rewrites from what she intended (for example, there are hints of romance for all the Bennet daughters by the end, even Mary).
What's good about it? Mainly the casting - Greer Garson is a feisty and cheeky Elizabeth (and this was more than 50 years before Jennifer Ehle played her in a similar way for BBC TV); Laurence Olivier never looked more attractive or brooded with greater effect than here as Darcy; Edna May Oliver is a memorable and prickly Catherine de Bourgh; Edmund Gwenn and Mary Boland are the Bennet parents; and the other Bennet girls are eye-catching and fun (Maureen O'Sullivan as Jane, Ann Rutherford as flighty Lydia, Heather Angel as Kitty, and Marsha Hunt as Mary).
Austen's barbs and fangs are removed from this adaptation, making it a romantic sugar gloop like many other films of the period. Still, providing you expect this, enjoy what's on the screen. MGM did this kind of thing better than other studios of the time, after all.
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