Though not as good as his later Republic entries,this is a serviceable western from Columbia for Bill Elliot.This entry finds Elliot portraying "Wild Bill" .On a casual trip to Kansas,Bill finds himself pitted against a greedy land baron[Kenneth Harland}.The idea is to start a war between the Indians and the homesteaders and Harlan getting all the land after each side looses. Elliot convinces the homesteaders to move to more fertile land,and then the trouble starts.Elliot handles his role well,as does Dub Taylor in comic relief.Harlan and Ray Teal as the bad guys,are fine.Jim Thorpe plays an Indian chief.Direction is conventional.Same for the music score.No surprises here with the usual clichés.Good outdoor photography,with a lot of stock footage.
2 Reviews
Kind of Strange
aimless-469 February 2006
Two years after 1938's "The Great Adventures of Wild Bill Hickok" Gordon Elliott reprises his Hickok role in "Prairie Schooners". By this time Elliott had adopted the "Wild Bill" nickname and would go on the play Hickok many times as well as Red Ryder and Davy Crockett. The movie also features Jim Thorpe in a speaking role (if you can call it that) and Sammy Stein (as Dude Geeter) who was another former professional football player and a pro wrestler. Thorpe's portrayal of Chief Sanche has to be seen to be believed-it is unimaginably bad.
Elliott's Columbia stuff was generally much worse than his later bigger budget Republic films and "Prairie Schooners" is no exception. It is arguably the worst western ever, much worse from a production values perspective than even television westerns of the 1950's like "The Lone Ranger" and "Roy Rogers". Largely this was due to Columbia's desire to stage a big production without sufficient resources (i.e. money).
This meant that they had to fake the action scenes with stock footage of Indian attacks and wagon trains, editing studio close-ups of the stars into the stock footage wide shots. Although the editing was done competently, the film grain of the stock footage does not match the studio stuff. There is a further disconnect because some of the stock footage is Utah desert and some is California Central Valley, and they cut back and forth between the two. Like Thorpe's Indian chief, the hokey climatic Indian attack provides another must be seen to be believed moment.
It is unclear what this movie is about because most of the stuff worth seeing takes place off camera and the logic of the story is hard to grasp. But here are some of the elements of the movie: 1. A guy with bad credit is whipped by Wild Bill. 2. Wild Bill has a girlfriend who drives her own wagon and hides in the sagebrush. 3. There's an Indian boy who hates bears. 4. The bad guys are holding up the wagon train by holding Wild Bill's girlfriend hostage. 5. The bad guys are fur trappers who dress like dude gamblers and look like Sheriff Roy Coffee from "Bonanza". 6. During the big chase scene, the Indians and the wagon train keep getting teleported back and forth between Utah and California. 7. Everything gets sorted out in the end but I just watched the whole thing and I can't tell you how.
Normally in an Elliott Western his sidekick Cannonball Taylor (played by Dub Taylor) can be counted on for some comic relief. There is little of that in "Prairie Schooners", perhaps they foresaw the comic potential of Thorpe and decided that Taylor's usual stuff was unnecessary.
Then again, what do I know? I'm only a child.
Elliott's Columbia stuff was generally much worse than his later bigger budget Republic films and "Prairie Schooners" is no exception. It is arguably the worst western ever, much worse from a production values perspective than even television westerns of the 1950's like "The Lone Ranger" and "Roy Rogers". Largely this was due to Columbia's desire to stage a big production without sufficient resources (i.e. money).
This meant that they had to fake the action scenes with stock footage of Indian attacks and wagon trains, editing studio close-ups of the stars into the stock footage wide shots. Although the editing was done competently, the film grain of the stock footage does not match the studio stuff. There is a further disconnect because some of the stock footage is Utah desert and some is California Central Valley, and they cut back and forth between the two. Like Thorpe's Indian chief, the hokey climatic Indian attack provides another must be seen to be believed moment.
It is unclear what this movie is about because most of the stuff worth seeing takes place off camera and the logic of the story is hard to grasp. But here are some of the elements of the movie: 1. A guy with bad credit is whipped by Wild Bill. 2. Wild Bill has a girlfriend who drives her own wagon and hides in the sagebrush. 3. There's an Indian boy who hates bears. 4. The bad guys are holding up the wagon train by holding Wild Bill's girlfriend hostage. 5. The bad guys are fur trappers who dress like dude gamblers and look like Sheriff Roy Coffee from "Bonanza". 6. During the big chase scene, the Indians and the wagon train keep getting teleported back and forth between Utah and California. 7. Everything gets sorted out in the end but I just watched the whole thing and I can't tell you how.
Normally in an Elliott Western his sidekick Cannonball Taylor (played by Dub Taylor) can be counted on for some comic relief. There is little of that in "Prairie Schooners", perhaps they foresaw the comic potential of Thorpe and decided that Taylor's usual stuff was unnecessary.
Then again, what do I know? I'm only a child.
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