| Photos (See all 62 | slideshow) | Videos (see all 12) |
| Mel Blanc | ... | Donkeys / Gideon (hiccup) / Marionette Soldiers (voice) (uncredited) | |
| Don Brodie | ... | Carnival Barkers (voice) (uncredited) | |
| Walter Catlett | ... | J. Worthington Foulfellow (voice) (uncredited) | |
| Marion Darlington | ... | Birds (voice) (uncredited) | |
| Frankie Darro | ... | Lampwick (voice) (uncredited) | |
| Cliff Edwards | ... | Jiminy Cricket (voice) (uncredited) | |
| Dickie Jones | ... | Pinocchio / Alexander (voice) (uncredited) | |
| Charles Judels | ... | Stromboli / The Coachman (voice) (uncredited) | |
| Jack Mercer | ... | Rough House Statue (voice) (uncredited) (unconfirmed) | |
| Patricia Page | ... | Marionettes (voice) (uncredited) | |
| Thurl Ravenscroft | ... | Monstro (voice) (uncredited) | |
| Christian Rub | ... | Geppetto (voice) (uncredited) | |
| Evelyn Venable | ... | The Blue Fairy (voice) (uncredited) |
Directed by | |||
| Norman Ferguson | (sequence director) | ||
| T. Hee | (sequence director) | ||
| Wilfred Jackson | (sequence director) | ||
| Jack Kinney | (sequence director) | ||
| Hamilton Luske | (supervising director) | ||
| Bill Roberts | (sequence director) | ||
| Ben Sharpsteen | (supervising director) | ||
Writing credits | ||
| Carlo Collodi | (from a story by) (as Collodi) | |
| Ted Sears | (story adaptation) & | |
| Otto Englander | (story adaptation) & | |
| Webb Smith | (story adaptation) & | |
| William Cottrell | (story adaptation) & | |
| Joseph Sabo | (story adaptation) & | |
| Erdman Penner | (story adaptation) & | |
| Aurelius Battaglia | (story adaptation) | |
| Bill Peet | uncredited | |
Produced by | |||
| Walt Disney | .... | producer (uncredited) | |
Original Music by | |||
| Leigh Harline | |||
| Paul J. Smith | |||
Art Direction by | |||
| Ken Anderson | (as Kenneth Anderson) | ||
| Hugh Hennesy | |||
| John Hubley | |||
| Dick Kelsey | |||
| Kendall O'Connor | |||
| Charles Philippi | |||
| Thor Putnam | |||
| Terrell Stapp | |||
| McLaren Stewart | |||
| Al Zinnen | |||
| Bruce Bushman | (uncredited) | ||
| Arthur Heinemann | (uncredited) | ||
| Charles Payzant | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Ford Beebe Jr. | .... | assistant director (uncredited) | |
| Lou Debney | .... | assistant director (uncredited) | |
| Jim Handley | .... | assistant director (uncredited) | |
| Graham Heid | .... | assistant director (uncredited) | |
| Mike Holoboff | .... | assistant director (uncredited) | |
| Larry Lansburgh | .... | assistant director (uncredited) | |
| Lloyd Richardson | .... | assistant director (uncredited) | |
Art Department | |||
| Wah Chang | .... | character maquettes (uncredited) | |
| Don Christensen | .... | atmosphere sketches (uncredited) | |
| Gustaf Tenggren | .... | conceptual designs (uncredited) | |
Visual Effects by | |||
| Edwin Aardal | .... | special animation effects (uncredited) | |
| Jerome Brown | .... | effects animator (uncredited) | |
| Paul Busch | .... | effects animator (uncredited) | |
| Ugo D'Orsi | .... | special animation effects (uncredited) | |
| James Escalante | .... | effects animator (uncredited) | |
| Frank Follmer | .... | effects animator (uncredited) | |
| Dan MacManus | .... | effects animator (uncredited) | |
| Fred Madison | .... | effects animator (uncredited) | |
| John McDermott | .... | effects animator (uncredited) | |
| Ted Parmelee | .... | effects animator (uncredited) | |
| Sandy Strother | .... | special animation effects (uncredited) | |
| Cornett Wood | .... | special animation effects (uncredited) | |
Animation Department | |||
| Art Babbitt | .... | animation director (as Arthur Babbitt) | |
| Preston Blair | .... | animator | |
| Jack Bradbury | .... | animator (as John Bradbury) | |
| Jack Campbell | .... | animator | |
| Les Clark | .... | animator | |
| Claude Coats | .... | background artist | |
| Merle Cox | .... | background artist | |
| John Elliotte | .... | animator | |
| Hugh Fraser | .... | animator | |
| Campbell Grant | .... | character designer | |
| Joe Grant | .... | character designer | |
| Ray Huffine | .... | background artist | |
| Albert Hurter | .... | character designer | |
| Ollie Johnston | .... | animator (as Oliver M. Johnston) | |
| Milt Kahl | .... | animation director (as Milton Kahl) | |
| Lynn Karp | .... | animator | |
| Ward Kimball | .... | animation director | |
| Eric Larson | .... | animation director | |
| John Lounsbery | .... | animator | |
| Don Lusk | .... | animator | |
| Robert Martsch | .... | animator | |
| John McManus | .... | animator | |
| Joshua Meador | .... | animator | |
| John P. Miller | .... | character designer | |
| Fred Moore | .... | animation director | |
| Milt Neil | .... | animator | |
| Charles A. Nichols | .... | animator (as Charles Nichols) | |
| Art Palmer | .... | animator | |
| Don Patterson | .... | animator | |
| Martin Provensen | .... | character designer | |
| Wolfgang Reitherman | .... | animation director (as Woolie Reitherman) | |
| George Rowley | .... | animator | |
| Ed Starr | .... | background artist | |
| Norman Tate | .... | animator | |
| Don Tobin | .... | animator | |
| Don Towsley | .... | animator | |
| Bill Tytla | .... | animation director (as Vladimir Tytla) | |
| John Walbridge | .... | character designer | |
| Bernard Wolf | .... | animator (as Berny Wolf) | |
| Marvin Woodward | .... | animator | |
| Dick Anthony | .... | background artist (uncredited) | |
| Mike Arens | .... | animator (uncredited) | |
| Bill Berg | .... | animator (uncredited) | |
| Dick Brown | .... | animator (uncredited) | |
| Paul Busch | .... | animator: "Jiminy Cricket" (uncredited) | |
| Bruce Bushman | .... | layout artist (uncredited) | |
| Lars Calonius | .... | animator (uncredited) | |
| Bob Carlson | .... | animator (uncredited) | |
| Brad Case | .... | animator (uncredited) | |
| Walt Clinton | .... | animator (uncredited) | |
| Sam Cobean | .... | animator: "The Coachman" (uncredited) | |
| Charles Cristadoro | .... | character model designer (uncredited) | |
| Shamus Culhane | .... | animator (uncredited) | |
| George De Beeson | .... | animator (uncredited) | |
| Phil Duncan | .... | animator: "Pinocchio" (uncredited) | |
| Andy Engman | .... | animator (uncredited) | |
| Norman Ferguson | .... | supervising animator: "J. Worthington Foulfellow" and "Gideon" (uncredited) | |
| Art Fitzpatrick | .... | animator (uncredited) | |
| Joseph Gayek | .... | animator (uncredited) | |
| Blaine Gibson | .... | inbetween artist (uncredited) | |
| Franklin Grundeen | .... | animator (uncredited) | |
| Harry Hamsel | .... | animator (uncredited) | |
| Eric Hansen | .... | background artist (uncredited) | |
| William T. Hurtz | .... | animation assistant (uncredited) | |
| Milt Kahl | .... | animator: "Jiminy Cricket" and "Pinocchio as a real boy" (uncredited) | |
| Walt Kelly | .... | animator (uncredited) | |
| Hank Ketcham | .... | assistant animator (uncredited) | |
| Ward Kimball | .... | supervising animator: "Jiminy Cricket" (uncredited) | |
| Teddy Kline | .... | character model designer (uncredited) | |
| Paul B. Kossoff | .... | animator (uncredited) | |
| Murray McClellan | .... | animator (uncredited) | |
| Bob McCrea | .... | animator (uncredited) | |
| Richard McDermot | .... | animator (uncredited) | |
| Helen McIntosh | .... | character model designer (uncredited) | |
| Bill Melendez | .... | assistant animator (uncredited) | |
| Art Moore | .... | animator (uncredited) | |
| Paul Murry | .... | inbetween artist (uncredited) | |
| Mique Nelson | .... | background artist (uncredited) | |
| Lester Novros | .... | animator (uncredited) | |
| Ken O'Brien | .... | animator (uncredited) | |
| Frank Oreb | .... | animator (uncredited) | |
| Tom Oreb | .... | animator (uncredited) | |
| Chic Otterstrom | .... | animator (uncredited) | |
| June Patterson | .... | ink and paint artist (uncredited) | |
| John Reed | .... | animator (uncredited) | |
| Art Riley | .... | background artist (uncredited) | |
| Duke Russell | .... | character model designer (uncredited) | |
| William Shull | .... | animator (uncredited) | |
| Howard Smith | .... | animator (uncredited) | |
| Shirley Sodaholm | .... | character model designer (uncredited) | |
| Robert Stokes | .... | animator (uncredited) | |
| David Swift | .... | animator (uncredited) | |
| Howard Swift | .... | animator (uncredited) | |
| Frank Thomas | .... | animation director: "Pinocchio" (uncredited) | |
| Harvey Toombs | .... | animator (uncredited) | |
| Noel Tucker | .... | animator (uncredited) | |
| Jim Will | .... | animator (uncredited) | |
| Kay Wright | .... | inbetween artist (uncredited) | |
| Robert W. Youngquist | .... | animator (uncredited) | |
Music Department | |||
| Leigh Harline | .... | songs: Music by | |
| Ned Washington | .... | songs: Lyrics by | |
| Frederick Stark | .... | orchestrator (uncredited) | |
| Charles Wolcott | .... | orchestrator (uncredited) | |
Other crew | |||
| Walt Disney | .... | presenter | |
| Don Barclay | .... | model: "Gideon" (uncredited) | |
| Walter Catlett | .... | model: "J. Worthington Foulfellow" (uncredited) | |
| Marge Champion | .... | model: "The Blue Fairy" (uncredited) | |
| Christian Rub | .... | model: "Geppetto" (uncredited) | |
| Val Stanton | .... | model: "Jiminy Cricket" (uncredited) | |
| Sheila Terry | .... | secretary (uncredited) | |
| Mary Whitney | .... | secretary (uncredited) | |
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| Fantasia | Peter Pan | Cinderella | Sleeping Beauty | Snow White and the Seven Dwarfs |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
For seventy years, people of all demographics have been entertained and enchanted by the animated features brought out by the Disney studios. In an era when most animated films lack imagination and spirit, it's always nice to watch an earlier Disney film, whether it be one of their old classics or the works released during the early 90's renaissance. Most film historians claim that Snow White and Fantasia are the best films to come out of the beginning years and while I agree they are certainly historically important, they don't quite give me the joy provided by 1940's Pinocchio. Adapted from the Italian story, Disney may have changed things plenty during the writing progress, but the result is a magical and unforgettable experience that proves to not only be a fun romp, but also one of the best cautionary tales brought to the screen.
The story is, of course, familiar to everyone. A kindly, old woodcarver named Gepetto builds his own "little wooden boy" and soon enough the puppet is brought to life. However, before he can become a real boy, Pinocchio must prove himself worthy and with Jiminy Cricket as his conscious, he goes out into the real world, full of crooks and criminals. Naturally, Pinocchio the ever youthful puppet, lands into plenty of trouble, first becoming an actor for a scary marionette master and then being turned into a donkey. The audience, especially the young children watching, are absolutely enthralled by the whole production, but also scared by what is shown on screen. Unlike today's cartoons, that try to be as "friendly" as possible, Walt Disney wanted his films to leave an impact and Pinocchio certainly fits into that category. While the film enchants, it also provide plenty of frightening moments as well.
Quite possibly the scariest scene in the film is when on Pleasure Island, troublesome boys are transformed into donkeys and sent to the salt-mines. Pinocchio can quite possibly be called the greatest anti-cigar film ever made, just for the fact that it doesn't say that smoking is bad, it shows it (although, ironically, Disney himself was a massive smoker)! Another scene that really gets to young audiences is the part in which Pinocchio begins to lie up a storm and his nose grows, even producing a nest with birds at the end. It's enough to make children squirm in their seats and have them afraid to tell a lie again. One of the reasons these scenes are so successful in leading people to the right decision is the fact that Pinocchio is not just a little wooden boy, he represents the child in every one of us: naive and ready to set out into the world, but not fully aware of the dangers awaiting us.
Along with the donkey-transformation and nose-growing scenes, the most memorable aspect of Pinocchio is the music. "When You Wish Upon a Star" is Disney's anthem for a reason. It's not only beautiful, but also brings about what we all want: to wish for a better world, one without evil puppet masters, children taking bad habits and devilish foxes bringing people to the dark side. Finally, the most touching scene comes in the end, when Pinocchio seems like he might die, but his bravery to save Gepetto finally allows him to become a real boy. Even remembering that scene leads one to smile as it's not only Gepetto and Pinocchio's wish that is fulfilled, but ours as well. Everybody loves a happy ending and Pinocchio features the best of them all. Not only is it the best film made by Disney, but it's also their most optimistic. And that's why Pinocchio is such a classic.