7 items from 2015
This year's Tribeca Film Festival is paying a special tribute to Frank Sinatra, with Sinatra at 100: Film & Music, a centennial celebration honoring his film career. As part of the event, there will be an April 21 screening of On The Town (1949) with High Society (1956) and Some Came Running (1958) being shown April 24. Among the three films, the 1958 feature, one of the greatest of all American movies, is of particular interest, especially when it comes to the dual nature of Sinatra the man, the actor, the screen persona, and the very films that frequently drew his talent. As a remake of The Philadelphia Story (1940), High Society depicts the humorous romantic frivolity of upper crust socialites. Some Came Running is something entirely different. This is “low society.” In Some Came Running, those on the margins, those who make up society's lower rungs, those are the more earnest, the more recognizable, and the more interesting. »
- Jeremy Carr
Love – or at least sweat-soaked Bdsm – is in the air this week on the Guardian film show. Guest host Simon Hattenstone indulges in bondage and badinage with critics Peter Bradshaw and Andrew Pulver as they discuss Sam Taylor-Johnson's adaptation of El James's Fifty Shades of Grey; Alfred Molina and John Lithgow as a long-term couple beset by catastrophe in Love is Strange; Kim Longinotto's petting documentary Love is All; and London-set gangster yarn Snow in Paradise
• Turn on the audio version
• Join our film team, live, for an Oscars special on 19 February at the Brixton Ritzy
• Why you should watch The Philadelphia Story this week Continue reading »
- Peter Bradshaw, Andrew Pulver, Simon Hattenstone, Paul Frankl and Ben Kape
However stagily preposterous, George Cukor’s 1940 movie The Philadelphia Story, now rereleased, is also utterly beguiling, funny and romantic; it is based on the same stage play, by Philip Barry, as the 1956 musical High Society. This is the most famous example of the intriguing and now defunct prewar genre of “comedy of remarriage”, the subject of an equally interesting study by film theorist Stanley Cavell called Pursuits Of Happiness. It features three stars from the studio era who are the aristocrats, or deities, of the Hollywood golden age: Cary Grant, Katharine Hepburn and James Stewart. Part of the fascination in watching this movie again is savouring those three extraordinary voices, highly imitable but entirely unique. Hepburn is the statuesque heiress Tracy Lord, »
- Peter Bradshaw
The Philadelphia Story, 1940.
Directed by George Cukor.
Set to remarry, Tracy Lord (Hepburn) has to contend with her ex-husband (Cary Grant) and a reporter on the snoop (James Stewart) as she tries to go through with her upper-class wedding – with their intention to spoil it.
Romance is in the air. The arrow of cupid has struck and, as Robson and Jerome covered, this Saturday night is at the movies. You may believe a Subway and Titanic is a romantic night in. I would argue it’s not*. In fact, an alternative is to head down to the BFI and watch a re-mastered copy of The Philadelphia Story. Not only will this extraordinary comedy give you a superior sense of cinematic taste, but it also features the genius pairing of Cary Grant and Jimmy Stewart – and that’s in addition to the feisty Katharine Hepburn, »
- Simon Columb
Catherine Shoard recommends The Philadelphia Story, George Cukor's 1940 screwball romantic comedy starring Katharine Hepburn, James Stewart and Cary Grant. Tracy Lord (Hepburn) finds herself torn between her ex-husband and a newspaper reporter on the eve of her wedding to a businessman
• The Philadelphia Story is rereleased in the UK this Friday, just in time for Valentine's Day
- Catherine Shoard and Paul Frankl
★★★★★ Time has been favourable to The Philadelphia Story (1940). Even as a septuagenarian, it still sizzles and simmers in fine form. Dubbed a "comedy of remarriage", it is now being played in all its rom-com glory at the British Film Institute as part of a season focusing on the films of Katharine Hepburn. This film in particular has become a pillar of the romantic comedy genre, the film by which most others of it kind are measured - and it reignited Hepburn's career after a string of financial flops. Having acquired the rights to the story, she was able to guide the production per her wishes and, in doing so, position herself for a winning comeback at the box office.
- CineVue UK
It’s December. And you know what that means? It means for every popcorn blockbuster, we get about three Oscar bait movies that are made solely to appease that body of somewhat stodgy Academy voters. Don’t get me wrong – a good portion of the Best Picture winners in history are still some of the greatest films ever made – “The Godfather” (Parts I and II), “Schindler’s List,” etc. But what about those historically good movies that got the nomination, but didn’t take home the prize? What about those popular movies that carried fan support, but lost out to a smaller, most of the time better, film? Well, here they are. This list focuses on those films that may or may not have been produced as Oscar bait, but earned the recognition of “Best Picture nominee,” only to walk away without the big prize. As usual, not in order of worst to best. »
- Joshua Gaul
7 items from 2015
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