8 items from 2014
Why does cinema favor the mad woman? It's easy to see why Oscar does: roles like Jasmine French give an actress space to not only chew but swallow and spit up scene after scene. Cate Blanchett will almost certainly win Best Actress this year for her frittered, diabolical performance in "Blue Jasmine" as cinema's archetypical woman-on-the-verge: that pill-popping, martini-swilling mad Medea who men fear and women sometimes dream of (being? playing? escaping into?).Thus, here are eight classic Oscar snubs in the Best Actress category. Bow down to Gena Rowlands in "A Woman Under the Influence." Watch clips after the jump. Also, check out our Toh! feature on eight scene-stealing female performances from 2013.1940 Who Won: Ginger Rogers ("Kitty Foyle") Who Should've Won: Joan Fontaine ("Rebecca") Who Was Nominated: Bette Davis ("The Letter"), Katharine Hepburn ("The Philadelphia Story"), Martha Scott ("Our Town") Hitchock's delirious and deliciously twisted English gothic »
- Ryan Lattanzio
This year’s Best Actor race is shaping up to be one of the greatest of all time. And by greatest, I mean both the most competitive and also the most outstanding, in the sense that each nominee is excellent — hypothetical winners in almost any other year. They also reflect the depth of superb male performances in 2013. Consider: Tom Hanks (Captain Phillips), Robert Redford (All Is Lost), Joaquin Phoneix (Her), Oscar Isaac (Inside Llewyn Davis), and Michael B. Jordan (Fruitvale Station) all missed the cut.
EW’s Owen Gleiberman recently analyzed this year’s Best Actor race, calling it the most “fiercely, »
- Jeff Labrecque
Well, we’ve finally reached the summit: the 10 most definitive romantic comedies of all time. Unlike the other sections of this list, there is not a movie here that approaches “bad.” As always, some are better than others, despite the order. But one thing is for sure: if you plan to have a rom-com binge-a-thon soon, this is where you start, no questions asked. In fact, after reading this, you should go do that and report back.
courtesy of reverseshot.com
10. Some Like It Hot (1959)
What’s funnier than men dressing in drag? Depends on who you ask. It’s Billy Wilder again with a fictional story of two musicians – Joe (Tony Curtis) and Jerry (Jack Lemmon) – who witness the St. Valentine’s Day massacre in Chicago and leave town. But, since the mob has ties everywhere, they need to disguise themselves as best they can: as women in an »
- Joshua Gaul
Feature Mark Harrison 3 Feb 2014 - 06:26
As much as the 2015 of Back To The Future Part II has been lampooned in internet memes, truth can sometimes be stranger than fiction. Is it entirely unreasonable to expect that 30 years from right now, we'll have flying cars, hoverboards and 19 Jaws movies? Maybe, maybe not.
Given their track record for accuracy, it's doubtful that Robert Zemeckis and co could ever have foreseen themselves doing a stage musical version of Back To The Future around the time of the film's 30th anniversary, but sure enough, they announced one last week. It's coming to the West End next year, as we reported here.
The Power Of Love, Earth Angel and Johnny B. Goode are all essential musical moments from the original film, »
‘Grace of Monaco’ U.S. March release canceled as biopic starring Nicole Kidman as Grace Kelly to open 2014 Cannes Film Festival (photo: Nicole Kidman as Grace Kelly in ‘Grace of Monaco’) Directed by Olivier Dahan, and starring Nicole Kidman as Oscar-winning Hollywood actress-turned-European princess Grace Kelly, Grace of Monaco was to have been a (possibly) strong Oscar 2014 contender — at least in the Best Actress category. After all, Dahan had guided 2007 Best Actress Academy Award winner Marion Cotillard as Edith Piaf in La Vie en Rose; Nicole Kidman is a respected actress with one Academy Award win (for Stephen Daldry’s The Hours) and two nominations (Moulin Rouge!, Rabbit Hole); and, last but certainly not least, Grace of Monaco was to have been released in North America by the Oscar-savvy The Weinstein Company. However, Harvey Weinstein was reportedly unhappy with Olivier Dahan’s final cut, and demanded that Grace of Monaco be reedited. »
- Anna Robinson
Philadelphia Story (1940) earned Jimmy Stewart his only Best Actor Oscar as Macauley Connor – a tabloid reporter for ‘Spy’ Magazine, and also won the Best Screenplay Oscar. Directed by George Cukor (Oscar nominated), Philadelphia Story is set among the privileged upper class society in Philadelphia. Hepburn’s character, a self-willed young aristocratic heiress (nicknamed ‘Red’ by her ex-husband), is on the verge of a second marriage. The Philadelphia socialite has divorced her dashing, colorful, pompous, playboyish husband (Cary Grant) and become involved with a solitary, self-made and dull business tycoon/millionaire (John Howard). The plot thickens and becomes complicated when her irresponsible ex-husband appears on the eve of the wedding, with intentions to keep her shielded from an overly-ambitious, cynical tabloid newshound (James Stewart) – a second male principal who is also vying for Hepburn’s love on the day (and night) leading up to the ceremony.
Philadelphia Story is one of those intelligent, »
- Tom Stockman
The Oscar nominations are in, and if you haven’t glanced at the Best Actress category, you’re in for a star-studded explosion. Collectively, the five chosen actresses have been nominated 38 times for Academy Awards, so any member of this esteemed quintet could run off with the gold.
But every great actor is an entitled to a mediocre performance or two. Here are my least favorite performances by the five nominated actresses of 2014.
Amy Adams: Julie and Julia
I actually appreciate that Julia and Julia was half-about the tribulations of a blogger trying to establish herself. Scaring up pageviews in order to sustain a living is an unusual situation, and I haven’t seen that explored in many movies. But Amy Adams is a pile of quirks and unfunny dialogue in this movie, and I’ve never seen her so flatly perky. You miss Meryl when she’s not »
- Louis Virtel
In which two ingénues are introduced...
A girlish debutante in a white gown floats down the stairs and into her waiting beau's arms. Gracefully, they glide around the dance floor sharing quips and quiet smiles. Thus is the world introduced to Katharine Hepburn in A Bill of Divorcement in 1932. It's a pretty enough entrance, but somehow inauspicious for Kate the Great. It is just so entirely Movie Ingénue Ordinary. The girl floating down the stairs could just as easily be Jeanette McDonald or Joan Bennett. Considering who Katharine Hepburn was and who she became, one would expect her to come striding into the room like a Greek goddess. Katharine Hepburn would make many more striking and characteristic entrances later, so for now we'll settle for this beautiful-if-ephemeral debut of the ingénue, and proceed with my own introduction.
- Anne Marie
8 items from 2014
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