The Philadelphia Story (1940)

Director:

George Cukor

Writers:

Donald Ogden Stewart (screenplay)
Philip Barry (play)
(more)

Release Date:

26 December 1940 (USA)

Genre:

Comedy | Romance

Tagline:

Uncle Leo's bedtime story for you older tots! The things they do among the playful rich - Oh, boy!

Plot:

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

Plot Keywords:

Reporter | Wedding | Philadelphia | Heiress | Socialite

Awards:

Won 2 Oscars. Another 2 wins & 4 nominations

Cast

Cary Grant	...	C.K. Dexter Haven
Katharine Hepburn	...	Tracy Lord
James Stewart	...	Macaulay Connor
Ruth Hussey	...	Elizabeth Imbrie
John Howard	...	George Kittredge
Roland Young	...	Uncle Willie
John Halliday	...	Seth Lord
Mary Nash	...	Margaret Lord
Virginia Weidler	...	Dinah Lord
Henry Daniell	...	Sidney Kidd
Lionel Pape	...	Edward
Rex Evans	...	Thomas
rest of cast listed alphabetically:
King Baggot	...	Extra as Wedding Guest (uncredited)
Hillary Brooke	...	Main Line Society Woman (uncredited)
Veda Buckland	...	Elsie (uncredited)
Lita Chevret	...	Manicurist (uncredited)
Russ Clark	...	John - Chauffeur (uncredited)
David Clyde	...	Mac (uncredited)
Robert De Bruce	...	Dr. Parsons (uncredited)
Dorothy Fay	...	Main Line Society Woman (uncredited)
Claude King	...	Uncle Willie's Butler (uncredited)
Eric Mayne	...	Extra as Wedding Guest (uncredited)
Florine McKinney	...	Main Line Society Woman (uncredited)
Lee Phelps	...	Bartender (uncredited)
Hilda Plowright	...	Librarian (uncredited)
Mildred Shay	...	Main Line Society Woman (uncredited)
Joseph Sweeney	...	Butler (uncredited)
Helene Whitney	...	Main Line Society Woman (uncredited)

Directed by
George Cukor

Writing credits
Donald Ogden Stewart		(screenplay)
Philip Barry		(play)
Waldo Salt		contributing writer (uncredited)

Produced by
Joseph L. Mankiewicz	....	producer

Original Music by
Franz Waxman		(musical score)

Cinematography by
Joseph Ruttenberg

Film Editing by
Frank Sullivan

Art Direction by
Cedric Gibbons

Set Decoration by
Edwin B. Willis

Costume Design by
Adrian		(gowns)

Makeup Department
Sydney Guilaroff	....	hair stylist
Jack Dawn	....	makeup artist (uncredited)

Production Management
Keith Weeks	....	production manager (uncredited)

Second Unit Director or Assistant Director
Edward Woehler	....	assistant director (uncredited)

Art Department
Wade B. Rubottom	....	associate art director

Sound Department
Douglas Shearer	....	recording director
Tom Gunn	....	re-recording mixer (uncredited)

Production Companies

• Loew's (produced by) (as Loew's Incorporated)
• Metro-Goldwyn-Mayer (MGM) (presents)

Distributors

• Metro-Goldwyn-Mayer (MGM) (1940) (USA) (theatrical)
• Loew's (1940) (USA) (theatrical) (uncredited)
• Metro-Goldwyn-Mayer (MGM) (1942) (Finland) (theatrical)
• Metro-Goldwyn-Mayer (MGM) (1955) (USA) (theatrical) (re-release)
• United International Pictures (UIP) (1986) (Finland) (theatrical)
• MGM/UA Home Entertainment (1992) (USA) (VHS)
• Warner Home Video (2000) (USA) (DVD)
• DVD Magic (2005) (Russia) (DVD)
• Warner Home Video (2005) (Finland) (DVD)
• Warner Home Video (2005) (USA) (DVD)
• Atalanta Filmes (????) (Portugal) (theatrical) (re-release)
• Chapel Distribution (1997) (Australia) (theatrical)

Other Companies

• Theatre Guild  play produced by
• Turner Entertainment  package design

Runtime:

112 min

Country:

USA

Language:

English | French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

UK:U (re-rating) (1998) | Finland:K-16 (1942) | Finland:S (1986) | USA:Approved (certificate #6594) | USA:Passed (National Board of Review) | Canada:PG (video rating) | South Korea:12 (DVD rating) (2005) | USA:TV-G (TV rating) | Argentina:Atp | Australia:PG | Portugal:M/12 | Sweden:15 | UK:A (original rating)

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Company:

Loew's

Trivia:

The original play featured a character named Sandy, who is Tracy's brother and the reason for Mike and Liz to come to the wedding. This character was deleted for the movie in order to beef up the character of Mike. There are several references in the film to a brother of Tracy's, but his name is Julius.

Goofs:

Boom mic visible: As Connor and Tracy exit the library, the boom mic is reflected on the windshield of Tracy's car.

Quotes:

Macaulay Connor: Look, who's doing the interviewing here?
Elizabeth (Liz) Imbrie: Do you think she caught on somehow?
Macaulay Connor: No, she was born like that, don't let her throw you.
Elizabeth (Liz) Imbrie: Do you want to take over?
Macaulay Connor: I want to go home!

Movie Connections:

Featured in AFI's 100 Years... 100 Movies: America's Greatest Movies (1998) (TV)

Soundtrack:

Bridal Chorus

Peerless cast, witty script gives this classic comedy of manners ageless appeal.

They say "the idle rich is the devil's playground." Well, never has the playground been more playful or fun than in "The Philadelphia Story." It's so gratifying to know that vintage movies like "The Philadelphia Story" will outlive us all. Playwright Phillip Barry certainly had an ear for sophisticated chatter and, along with "Bringing Up Baby" and "Holiday," he singlehandedly defined the term "screwball comedy" in the late 30s. And so it is fortunate for all of us that the screen adaptations of each of these classic Broadway plays are classics in their own right.

Katharine Hepburn, who starred with Cary Grant in all three of the aforementioned films, plays society prig Tracy Lord, a spoiled, temperamental rich girl who owns a will of iron and a heart to match. What she wants more than life itself is to experience true love like a down-to-earth REAL person, but is she capable of it? A stormy first marriage to C.K. Dexter Haven (Grant) has not taken the wind out of her sails, so she decides to make a go of it again. Announcing her forthcoming marriage to wealthy George Kittredge, a rather staid, uptight sort, it comes off more like a match made in gold than in heaven. However, the stubborn Tracy is convinced she is in love this time.

Around to disrupt the wedding plans is Tracy's former husband, who still has feelings for her and her family, her estranged scandal-ridden father, her young, precocious sister, and a posterior-pinching uncle. Also hovering around the Lord estate is tabloid reporter Liz Imbrie and her photographer Mike Connor, assigned to cover the impending nuptials and, of course, scout out any juicy gossip.

With a deft ensemble and crisp, intuitive direction (George Cukor), the dialogue blisters with furious fun (courtesy of Oscar-winning scripter Donald Ogden Stewart), with every character having his or her chance to bask in the limelight. Hepburn, who was considered "box-office poison" at the time, revitalized her Hollywood career with "The Philadelphia Story," smartly buying the film rights to ensure her starring role. Dripping with frilly-edged sarcasm, she makes full use of her clipped Bryn Mawr speech tones. But her ultimate triumph is that her 'ice queen' demeanor never alienates the viewer. We still root for Tracy to come down to earth, rejoin the human race and live out that fairy tale ending. Cary Grant is as smooth as silk pajamas as Tracy's first husband, raring and ready to pull her off that mighty pedestal she's placed herself so high on. Synonymous with elegance and style, I doubt there is another actor who can handle martini-dry banter the way he does. He is flawless -- in a class by himself.

The real revelation, however, is Jimmy Stewart as the smitten photographer who is only too willing to keep Tracy perched on that pedestal. Stewart, who won the Oscar, breaks from his usual "aw shucks" mode to show a surprising comic range. His midnight poolside soliloquy with Kate is wondrous and lingers long after the closing credits. Completing the romantic quadrangle is the wonderful Ruth Hussey, who inherits the wisecracking Eve Arden role, the good-natured trooper who always seems to come in second man-wise. Hussey takes the ball and runs with it, giving the ripest performance of the bunch.

Additional praise must be given to Mary Nash, as Tracy's flowery, meticulous mother; young tomboy Virginia Weidler, an adroit little scenestealer, for keeping up with the big folks and offering a wickedly smart-assed rendition of "Lydia, the Tattooed Lady"; John Howard for his dour, stuffy groom-to-be and good sportsmanship as the butt of many a joke; John Halliday, who manages a couple of razor-sharp scenes as Hepburn's reproaching father, and Roland Young, who played Cosmo Topper in the delightful "Topper" film series, for adding his typical brand of bemused merriment as lecherous Uncle Willy.

From the opening classic bit with Hepburn and Grant squaring off to the church altar denouement, "The Philadelphia Story" provides a wealth of entertainment. It's a rare, rich package even the Lord family can't buy!