Tumak, member of the prehistoric Rock tribe, is exiled and makes his way to the more peaceful Shell tribe, where he is taken in and taught manners by the lovely Loana. Forced to leave the ... See full summary »
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Leslie H. Martinson
Tumak, member of the prehistoric Rock tribe, is exiled and makes his way to the more peaceful Shell tribe, where he is taken in and taught manners by the lovely Loana. Forced to leave the Shell tribe for fighting, Tumak, along with Loana, return to the Rock tribe, where Loana shows them the error of their brutal ways - until the volcano erupts! Written by
Doug Sederberg <firstname.lastname@example.org>
When the film was released in Britain, it was heavily edited due to their strict laws against animal cruelty. See more »
Conrad Nagel is in the opening credits as "Narrator," but not in the comprehensive end credits. Because of this, the opening credits are used first in the IMDb listing and the rest of the cast is filled in with the end credits. See more »
All right enough already, so they got the order of prehistoric life wrong in One Million BC. But it sure looked good to have Victor Mature tangling with that T-Rex and saving the shell people. And that's what the movie-going public paid to see, Victor Mature and Carole Landis scantily clad in front of the camera.
Small studio producer Hal Roach busted the budget for this one, released by United Artists. Conrad Nagel as an archaeologist interprets the cave drawings for a group of weary young people on a hike who take shelter where he's doing some research. The two protagonists Louanna of the shell people and Tumac of the rock people look a whole lot like Carole and Vic.
Vic's from the savage rock clan who basically operate on a survival of the fittest basis. After a quarrel with the head of the clan, Lon Chaney, Jr. he's exiled and he's found in the primeval forest by Carole Landis who definitely likes what she sees.
Her shell people are a bit far up the evolutionary scale and she and the rest strive mightily to break Vic of his individualistic and isolationist ways.
And that's the key to One Million BC. Think of the time it came out and what the world was facing. There's a lot of aggressive wildlife in the forest primeval and the savage wildlife in 1940 had two legs instead of four. Time for the clan and rock people of the day to put aside their differences and face the common foe of nature.
This was supposed to be D.W. Griffith's comeback film and it's open to speculation as to how much he did shoot on this. I think the protagonists have an innocence about them, even the savage Mature before he gets housebroken so to speak the way Griffith protagonists do.
For the next 30 years the footage of One Million BC was used over and over again in every kind of monster film going. Those lizards got to be old friends after a while. It also launched the careers of both Victor Mature and Carole Landis. Though both of them did have considerably more dialog in later films.
After over 60 years One Million BC is still a great film to watch and be enthralled by the special effects as they were originally done. One Million BC got two Oscar nominations for Special Effects and Best Music Score.
Will the rock and shell people find they have a common foe? Watch and find out.
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