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No Time for Comedy (1940)

6.4
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Ratings: 6.4/10 from 494 users  
Reviews: 13 user | 5 critic

Playwright Gaylord Esterbrook scores a hit with his first Broadway play, both with the critics and with leading lady Linda Paige. He and Linda are happily married until a patroness of the ... See full summary »

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(screen play), (screen play), 1 more credit »
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Title: No Time for Comedy (1940)

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Cast

Cast overview, first billed only:
...
Gaylord Esterbrook
...
Linda Esterbrook
...
Philo Swift (as Charlie Ruggles)
...
Amanda Swift
Louise Beavers ...
Clementine
Allyn Joslyn ...
Morgan Carrell
Clarence Kolb ...
Richard Benson
Robert Greig ...
Robert
J.M. Kerrigan ...
Jim
Lawrence Grossmith ...
Frank (as Lawrence Grosmith)
Robert Emmett O'Connor ...
Desk Sergeant
Herbert Heywood ...
Joe - Doorman
...
Cab Driver
James Burke ...
Police Sergeant
Edgar Dearing ...
Sweeny
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Storyline

Playwright Gaylord Esterbrook scores a hit with his first Broadway play, both with the critics and with leading lady Linda Paige. He and Linda are happily married until a patroness of the arts convinces Esterbrook to forget about comedy and concentrate on writing a tragedy. The end result nearly destroys his career and his marriage. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

A country boy takes over Broadway . . . until he gets into heart-trouble! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

14 September 1940 (USA)  »

Also Known As:

Guy with a Grin  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The original play by S.N. Behrman opened in Indianapolis, Indiana, on 31 March 1939. See more »

Goofs

At one point in the movie, Gaylord is at his home and discovers Amanda Swift's phone number is written down on a phone list in his wife's handwriting. His wife, Linda, had just left with Morgan Carrell for dinner at the Swift's home. Then the scene shifts to Amanda Swift's home and Gaylord is there. See more »

Quotes

Clementine, Actress in Show: [on phone looking for Mr. Esterbrook] Hello, Luxury Turkish Bath? Connect me to the department for taking care of gentlemen on the loose. Line's busy? I'll wait.
[door bell rings and she goes to let in Mr. Swift]
Clementine, Actress in Show: Has Mr. Easterbrook been there today? No? Well, if he should be carried in, ask him to call his apartment - if he can talk.
See more »

Connections

Referenced in Breakdowns of 1941 (1941) See more »

Soundtracks

Devil May Care
(1940) (uncredited)
Music by Harry Warren
Played at Jim's Bar before Act III
See more »

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User Reviews

Limp But Not Without Interest.
22 March 2004 | by (New York, N.Y.) – See all my reviews

Successful comic playwright Jimmy Stewart decides that the times he is living in call for political drama instead of laughs. His stage star wife disagrees and must win him back from the clutches of the pretentious matron who has him in her thrall. Though one would think that the tall, lanky duo of Stewart and Rosalind Russell would be perfect together, they disappoint. They manage some charm and chemistry in the early parts of the film, but both surrender to stridency later on, and this movie has none of the fast pace or glossy sheen a sophisticated comedy set in Manhattan should have.

What is interesting here is the cultural mirror of the times. The amusing portrait of a cynical Manhattan is still recognizable, and the thesis that in bad times there is nothing more important than making people laugh is the same one Preston Sturges explored in his overrated SULLIVAN'S TRAVELS a year or so later. Though this film doesn't mix comedy and message drama as well as Sturges did, however imperfectly, the penultimate scene here is intriguing. Russell is prepared to marry the droll plutocrat whose wife has stolen Stewart from her, but he lets loose with a string of invective that probably accurately reflected the 'America First' Republicanism of the time. Russell decides that she'd rather be with a man who hates the fact that the free world was being taken over by fascists than by a man who sees all dictators with cynical detachment.

This film is heavy and crude where it should be light, and the implied sexual sophistication of the plot is not directed or played with the right tone at all. But this misfire will still manage to be of interest to some.


8 of 15 people found this review helpful.  Was this review helpful to you?

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