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No Time for Comedy (1940)
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Overview
User Rating:
Release Date:
14 September 1940 (USA) moreTagline:
A country boy takes over Broadway . . . until he gets into heart-trouble! morePlot:
Playwright Gaylord Esterbrook scores a hit with his first Broadway play, both with the critics and with leading lady Linda Paige... more | add synopsisUser Comments:
Limp But Not Without Interest. moreCast
(Cast overview, first billed only)| James Stewart | ... | Gaylord 'Gay' Esterbrook | |
| Rosalind Russell | ... | Linda Paige Esterbrook | |
| Charles Ruggles | ... | Philo Swift (as Charlie Ruggles) | |
| Genevieve Tobin | ... | Amanda 'Mandy' Swift | |
| Louise Beavers | ... | Clementine, Actress in Show / Linda's Maid | |
| Allyn Joslyn | ... | Morgan Carrell, the Director | |
| Clarence Kolb | ... | Richard Benson | |
| Robert Greig | ... | Robert, Benson's Butler | |
| J.M. Kerrigan | ... | Jim, the Bartender | |
| Lawrence Grossmith | ... | Frank, Actor in Show (as Lawrence Grosmith) | |
| Robert Emmett O'Connor | ... | Desk Sergeant | |
| Herbert Heywood | ... | Joe, the Doorman | |
| Frank Faylen | ... | Cab Driver | |
| James Burke | ... | Desk Sergeant | |
| Edgar Dearing | ... | Sweeney, a Policeman |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
93 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (RCA Sound System)Filming Locations:
Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USAFun Stuff
Goofs:
Continuity: At one point in the movie, Gaylord is at his home and discovers Amanda Swift's phone number is written down on a phone list in his wife's handwriting. His wife, Linda, had just left with Morgan Carrell for dinner at the Swift's home. Then the scene shifts to Amanda Swift's home and Gaylord is there. moreQuotes:
Clementine, Actress in Show: I saw your last picture, Mr. Carrell.Morgan Carrell, the Director: Yes?
Clementine, Actress in Show: Oh, yeah.
Morgan Carrell, the Director: What'd ya think?
Clementine, Actress in Show: [sighs] yeah.
more
Soundtrack:
Bridal Chorus moreFAQ
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Successful comic playwright Jimmy Stewart decides that the times he is living in call for political drama instead of laughs. His stage star wife disagrees and must win him back from the clutches of the pretentious matron who has him in her thrall. Though one would think that the tall, lanky duo of Stewart and Rosalind Russell would be perfect together, they disappoint. They manage some charm and chemistry in the early parts of the film, but both surrender to stridency later on, and this movie has none of the fast pace or glossy sheen a sophisticated comedy set in Manhattan should have.
What is interesting here is the cultural mirror of the times. The amusing portrait of a cynical Manhattan is still recognizable, and the thesis that in bad times there is nothing more important than making people laugh is the same one Preston Sturges explored in his overrated SULLIVAN'S TRAVELS a year or so later. Though this film doesn't mix comedy and message drama as well as Sturges did, however imperfectly, the penultimate scene here is intriguing. Russell is prepared to marry the droll plutocrat whose wife has stolen Stewart from her, but he lets loose with a string of invective that probably accurately reflected the 'America First' Republicanism of the time. Russell decides that she'd rather be with a man who hates the fact that the free world was being taken over by fascists than by a man who sees all dictators with cynical detachment.
This film is heavy and crude where it should be light, and the implied sexual sophistication of the plot is not directed or played with the right tone at all. But this misfire will still manage to be of interest to some.