Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »
Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into a lion's muzzle! With this ... See full summary »
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "respectability." Arrived in Greasewood City with his unkissed bride, Twillie is named sheriff by town boss Jeff Badger...with an ulterior motive. Meanwhile, both stars inimitably display their specialties, as Twillie tends bar and plays cards, and Flower Belle tames the town's rowdy schoolboys... Written by
Rod Crawford <firstname.lastname@example.org>
The saloon is basically the same set used for "Destry Rides Again", which wrapped production in late October 1939, just before "My Little Chickadee" started shooting in November. See more »
On the train out of town, after Cuthbert gives Flowerbelle the heart shaped charm, his hat starts on his head, but then suddenly its magically in his left hand (so he can use his right hand to hold onto the railing.) See more »
It's a shame that West and Fields had such a dislike for each other. In their few scenes together you can see how incredible this film could've been. Their introduction on the train is a delight, with him slurping all over her "symmetrical digits" and she crooning "you're compromisin' me". Field's disguising himself as her lover the Masked Bandit and getting some lip action under false pretenses is hilarious. If only they could've spent so much more screen time with each other instead of focusing on their separate routines, this would be a major classic. As it is it is still great fun. And Fields' asides to Margaret Hamilton are priceless! "I hope she don't get too violent--I haven't strength enough to knock her down!"
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