Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "...
See full summary »
Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »
Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "respectability." Arrived in Greasewood City with his unkissed bride, Twillie is named sheriff by town boss Jeff Badger...with an ulterior motive. Meanwhile, both stars inimitably display their specialties, as Twillie tends bar and plays cards, and Flower Belle tames the town's rowdy schoolboys... Written by
Rod Crawford <firstname.lastname@example.org>
Dick Foran, who was being paid by the week, would go to Mae West and tell her that W.C. Fields was rewriting his lines to give himself more screen time and to try to steal the film from her. Then he would go to Fields and tell him the same thing about West. In this manner he was able to extend his employment from a few weeks to several months, as both Fields and West - who didn't like each other - would hold up production while they would rewrite their scenes. See more »
When the 'train' stops to pick up the Fields character it consists of the locomotive only. The carriages then reappear in the next scene. See more »
Cuthbert J. Twillie:
[Wearing a large, funny-looking nightgown]
Here I come, dear, ready or not! I feel rather parky, dear, in this diaphanous ubeitsehr.
See more »
The title, 'The End', is superimposed over Mae West's gluteus maximus as she walks away from the camera. See more »
I love this little gem of a movie. It has two of the great stars of the early cinema, W.C. Fields and Mae West.
Fields is hilarious in his role as con man/card shark Cuthbert J. Twillie, who meets Flower Belle Lee (Miss West's character) on a train bound for Greasewood, a town that is ran by corrupt saloon owner Jeff Badger (Joseph Calleia). Flower Belle was ran out of her previous town and cannot return until she is married and a respectful woman, i.e., not promiscuous. She marries Cuthbert just to give her some respectability and it's hilarious to watch Fields pathetic attempts to try to be with his unwilling bride.
Of course, since this a Mae West film (both she and Fields wrote the screenplay) there are several funny double entendres in the film and Mae gets to sing a song, Willie of the Valley. I love both Mae West and W.C. Fields...they were both legends and I really wish they would have made another film together. The Hollywood rumor mill had it that they actually couldn't stand each other off screen, but if this is true, and I tend to believe that their feud was exaggerated for publicity purposes, you could not tell it by their performances. They had terrific on screen chemistry together.
"My Little Chickadee" is a fun film all the way around.
8 of 8 people found this review helpful.
Was this review helpful to you?