Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "respectability." Arrived in Greasewood City with his unkissed bride, Twillie is named sheriff by town boss Jeff Badger...with an ulterior motive. Meanwhile, both stars inimitably display their specialties, as Twillie tends bar and plays cards, and Flower Belle tames the town's rowdy schoolboys... Written by
Rod Crawford <email@example.com>
Dick Foran, who was being paid by the week, would go to Mae West and tell her that W.C. Fields was rewriting his lines to give himself more screen time and to try to steal the film from her. Then he would go to Fields and tell him the same thing about West. In this manner he was able to extend his employment from a few weeks to several months, as both Fields and West - who didn't like each other - would hold up production while they would rewrite their scenes. See more »
When the 'train' stops to pick up the Fields character it consists of the locomotive only. The carriages then reappear in the next scene. See more »
An Old West comedy that doesn't make a lot of sense, "My Little Chickadee" is mostly a cinematic vehicle for the talents of its two stars: Mae West and W.C. Fields.
Mae, all decked out in flowery glad rags, does her usual shtick, as she rolls her eyes, smiles mischievously, and walks in the slinky, suggestive manner that she's known for. I love it. She doesn't "act" so much as she projects her own unique on-stage persona. In this film she sings only one song: "Willie Of The Valley". It's okay, but I could have wished for a song more suitable to her wonderfully bawdy public image.
Wearing a high top hat and white gloves, and with that big nose and eccentric way of speaking, W.C. Fields plays Cuthbert J. Twillie, a blustery, flamboyant older man who uses big words to impress, and devious tricks to hoodwink. He's not seriously criminal, just a good-natured, booze-loving flimflam man trying to get along in life as best he knows how. Sometimes he succeeds, sometimes not. Fields is just as unique as Mae West. And his comedic routine is straight out of vaudeville.
The script's dialogue contains lines that highlight the humor of Fields, like when he tries to impress Flower Belle (Mae West): "The days of chivalry are not over. I've been worried about you my little peach fuzz. Have you been loitering somewhere? ... You are the epitome of erudition, the double superlative ...". His flowery metaphors sometimes get on Flower Belle's nerves, like when he says to her: "I climb the ladder of love to reach for the stars". She snaps back: "I'm in no mood for astronomy".
For all his bluster, Twillie is actually the weaker of the two characters. It's Flower Belle who uses a pistol to knock off villainous Indians, and Twillie whose use of a kid's slingshot backfires.
In this story, Margaret Hamilton, in her best witch voice, plays a histrionic busybody, in a support role.
This is a film that will appeal mostly to fans of Fields and/or West. I think the film probably showcases Fields' talents a little better than those of West. What hurt this film is the real-life villainous Production Code which tried to water down the bawdy dialogue. As a result, both the plot and some of the dialogue come across as flat. Had the self-righteous censors left the scriptwriters alone, "My Little Chickadee" could have really sizzled.
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