Coincidence like ancient egg, leave unpleasant odour. Canary unlike faithful dog, do not die from sympathy. Number 2 son very promising detective, promise very much, deliver very little. Nut easy to crack if nut empty. Number 2 son like interest on mortgage, impossible to escape. Fresh weed better than wilted rose. Happy solution never see light if truth kept in dark. One man with gun have more authority than whole army with no ammunition. Door of opportunity swing both ways. Wishful thinking sometimes lead to blind alley. Same leopard can hide beneath different spots. Confidence of son like courage of small boy at dentist, most evident after tooth extracted. Written by
The method of murder in this film, poison gas contained inside a thin a glass globe, was previously used in one of the Mr. Wong films, Mr. Wong, Detective (1938), two years earlier; and three years before that in the Chan-series film Charlie Chan in Egypt (1935). See more »
When Jimmy runs out to tarmac at the airport, to see his pop, Charlie Chan, he ends up standing facing him, with Hugh Drake between them. Then there's a studio shot where Jimmy is standing next to Charlie, not across from him, with Hugh Drake opposite. See more »
Charlie Chan attends a detective convention in NYC
Charlie Chan (Sidney Toler) is full of clever sayings in Murder in New York, from 1940. Also starring is Sen Yung as Jimmy Chan. They make a delightful team. Jimmy shows up unexpectedly while Charlie is in New York to attend a conference. He and a friend of his want to attend the World's Fair.
It's not long before both Chans are on a case, when a friend of Charlie's, a detective, is murdered. Soon they're in the midst of the investigation of a sabotage ring, people being killed by poison gas pellets, an airplane crash, and plenty of suspects. The police ask Charlie to stick around and help. I don't think he gets to his conference, and Jimmy doesn't see the World's Fair, at least not yet.
Donald McBride, Ricardo Cortez, Kane Richmond, Robert Lowery, Marjorie Weaver, and Joan Valerie are all featured.
It's a fair mystery, enlivened by Charlie's witty dialogue. Frankly, any one of these films that has something to do with the war basically have similar plots: sabotage, missing formulas, spies, that type of thing.
Sidney Toler is in good form. I have to say I prefer Warner Oland, who seemed to exhibit more energy and was more upbeat. Toler's humor comes from his sardonic line delivery and good chemistry with the actors. Both brought something special to the role.
Whether the story is bad, good, confusing, whatever, with stereotypes abounding, somehow these films are always enjoyable.
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