| Dick Foran | ... | Steve Banning | |
| Peggy Moran | ... | Marta Solvani | |
| Wallace Ford | ... | Babe Jenson | |
| Eduardo Ciannelli | ... | The High Priest (as Eduardo Cianelli) | |
| George Zucco | ... | Professor Andoheb | |
| Cecil Kellaway | ... | The Great Solvani (as Cecil Kelloway) | |
| Charles Trowbridge | ... | Dr. Petrie | |
| Tom Tyler | ... | Kharis | |
| Sig Arno | ... | The Beggar (as Siegfried Arno) | |
| Eddie Foster | ... | Egyptian Starting Fight | |
| Harry Stubbs | ... | Bartender | |
| Michael Mark | ... | Bazaar Owner | |
| Mara Tartar | ... | Girl Vendor | |
| Leon Belasco | ... | Ali | |
| rest of cast listed alphabetically: | |||
| James Crane | ... | King Amenophis (archive footage) (uncredited) | |
| Jerry Frank | ... | Egyptian Thug (uncredited) | |
| Zita Johann | ... | Princess Ananka (archive footage) (uncredited) | |
| Boris Karloff | ... | Kharis (uncredited) (archive footage) | |
| Frank Lackteen | ... | Temple Priest (uncredited) | |
| Murdock MacQuarrie | ... | Temple Priest (uncredited) | |
| Ken Terrell | ... | Egyptian Thug (uncredited) | |
Directed by | |||
| Christy Cabanne | |||
Writing credits | ||
| Griffin Jay | (story) | |
| Griffin Jay | (screenplay) & | |
| Maxwell Shane | (screenplay) | |
| Ben Pivar | (treatment contributor) uncredited | |
| John L. Balderston | 1932 screenplay (uncredited) | |
| Nina Wilcox Putnam | 1932 screen story (uncredited) | |
| Richard Schayer | 1932 screen story (uncredited) | |
Produced by | |||
| Ben Pivar | .... | producer | |
Original Music by | |||
| Hans J. Salter | (uncredited) | ||
| Frank Skinner | (uncredited) | ||
Cinematography by | |||
| Elwood Bredell | |||
Film Editing by | |||
| Philip Cahn | |||
Art Direction by | |||
| Jack Otterson | |||
Set Decoration by | |||
| Russell A. Gausman | (as R.A. Gausman) | ||
Costume Design by | |||
| Vera West | (gowns) | ||
Makeup Department | |||
| Jack P. Pierce | .... | makeup creator (uncredited) | |
Second Unit Director or Assistant Director | |||
| Vaughn Paul | .... | assistant director (uncredited) | |
Art Department | |||
| Ralph M. DeLacy | .... | associate art director | |
Sound Department | |||
| Bernard B. Brown | .... | sound supervisor | |
| Charles Carroll | .... | sound technician | |
Stunts | |||
| Ken Terrell | .... | stunts (uncredited) | |
Music Department | |||
| Hans J. Salter | .... | musical director (as H.J. Salter) | |
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| The Mummy's Tomb | The Mummy | The Mummy | Federal Agents vs. Underworld, Inc. | The Mummy's Ghost |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
One of the best Universal horror films of the 40s and a worthy follow-up to the 1932 original, even if it wasn't directly related to it and actually spun a series of its own. While in essence no more than a B-film, it's solidly made on all fronts: the plot, unlike that of its sequels, is fresh and exciting and it boasts four likable protagonists, as well as a wonderful trio of 'villains' - Eduardo Ciannelli (appearing briefly as the dying High Priest), George Zucco (as his evil successor, in one of his finest performances) and Tom Tyler (as the maimed but relentless revenge-seeking Mummy, who's as good in the role as Boris Karloff had been earlier and Christopher Lee would be in the 1959 Hammer remake, of this one more than the original). The film's first half features a healthy dose of comic relief which I found in no way distracting, as it had proved to be in other horror films of the period; in fact, this element only helps accentuate the effectiveness of the latter sections of the film which offer more standard thrills, culminating in a superb climax - where Kharis has to literally crawl for his life-preserving tana fluid!