| Dick Foran | ... | Steve Banning | |
| Peggy Moran | ... | Marta Solvani | |
| Wallace Ford | ... | Babe Jenson | |
| Eduardo Ciannelli | ... | The High Priest (as Eduardo Cianelli) | |
| George Zucco | ... | Professor Andoheb | |
| Cecil Kellaway | ... | The Great Solvani (as Cecil Kelloway) | |
| Charles Trowbridge | ... | Dr. Petrie | |
| Tom Tyler | ... | Kharis | |
| Sig Arno | ... | The Beggar (as Siegfried Arno) | |
| Eddie Foster | ... | Egyptian Starting Fight | |
| Harry Stubbs | ... | Bartender | |
| Michael Mark | ... | Bazaar Owner | |
| Mara Tartar | ... | Girl Vendor | |
| Leon Belasco | ... | Ali | |
| rest of cast listed alphabetically: | |||
| James Crane | ... | King Amenophis (archive footage) (uncredited) | |
| Jerry Frank | ... | Egyptian Thug (uncredited) | |
| Zita Johann | ... | Princess Ananka (archive footage) (uncredited) | |
| Boris Karloff | ... | Kharis (archive footage) (uncredited) | |
| Frank Lackteen | ... | Temple Priest (uncredited) | |
| Murdock MacQuarrie | ... | Temple Priest (uncredited) | |
| Ken Terrell | ... | Egyptian Thug (uncredited) | |
Directed by | |||
| Christy Cabanne | |||
Writing credits | ||
| Griffin Jay | (story) | |
| Griffin Jay | (screenplay) & | |
| Maxwell Shane | (screenplay) | |
| John L. Balderston | 1932 screenplay (uncredited) | |
| Ben Pivar | treatment contributor (uncredited) | |
| Nina Wilcox Putnam | 1932 screen story (uncredited) | |
| Richard Schayer | 1932 screen story (uncredited) | |
Produced by | |||
| Ben Pivar | .... | producer | |
Original Music by | |||
| Hans J. Salter | (uncredited) | ||
| Frank Skinner | (uncredited) | ||
Cinematography by | |||
| Elwood Bredell | |||
Film Editing by | |||
| Philip Cahn | |||
Art Direction by | |||
| Jack Otterson | |||
Set Decoration by | |||
| Russell A. Gausman | (as R.A. Gausman) | ||
Costume Design by | |||
| Vera West | (gowns) | ||
Makeup Department | |||
| Jack P. Pierce | .... | makeup creator (uncredited) | |
Second Unit Director or Assistant Director | |||
| Vaughn Paul | .... | assistant director (uncredited) | |
Art Department | |||
| Ralph M. DeLacy | .... | associate art director | |
Sound Department | |||
| Bernard B. Brown | .... | sound supervisor | |
| Charles Carroll | .... | sound technician | |
Stunts | |||
| Ken Terrell | .... | stunts (uncredited) | |
Music Department | |||
| Hans J. Salter | .... | musical director (as H.J. Salter) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
MORD39 RATING: *** (of ****)
THE MUMMY'S HAND is my favorite mummy film and easily the best in the Universal "Kharis" saga.
Dick Foran, Wallace Ford, Cecil Kellaway, and Peggy Moran make a very pleasant group of amateur explorers as they search out the tomb of Princess Ananka in Egypt. What they stumble upon instead was the first (in a now played-out) deadly mistake: a living mummy.
Kharis is a bandaged monstrosity kept alive by a high priest (George Zucco in his most sinister role) and is a protector for his long-lost love. When Zucco feeds him a fluid brewed from nine tana leaves, Kharis is kept stalking and dealing death to those who dared enter his lair.
Tom Tyler is for my money the best choice to portray the mummy. He creeps and crumbles perfectly, even gaining effect from his dark, staring eyes in chilling close-ups.
Some fans complain about the intrusive comedy during the film, and while I too am unforgiving of such practices, in this case I think they help the festivities rather than detract from them. All in all, THE MUMMY'S HAND remains one of the better efforts from the 1940's and definitely the best of the Kharis pictures.