In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and ... See full summary »
An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
When European Egyptologists Dubois, Giles and Bray discover the tomb of the Egyptian prince Ra, American entrepreneur and investor Alexander King insists on shipping the treasures and ... See full summary »
A couple of comical, out-of-work archaeologists (Dick Foran and Wallace Ford) in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician (Cecil Kellaway) and his beautiful daughter (Peggy Moran), they set out into the desert only to be terrorized by a sinister high priest (George Zucco) and the living mummy Kharis (Tom Tyler) who are the guardians of Ananka^Òs tomb. Written by
Jeremy Lunt <email@example.com>
The excavation scenes were shot on the Universal back-lot in a rocky and desert-like section of the natural hills known as "Gausman's Gulch," named after Russell A. Gausman, set decorator on this film, and many other of Universal's horror films. To give the gulch a more canyon-like and wild appearance, it was augmented with artificial rock-faces and boulders. See more »
A little before 15 minutes into the movie, Professor Andoheb refers to "the Inca ruins in Mexico". Yet the Incas never were in Mexico. In reality, the Incas were centered in Peru with their empire stretching from Ecuador to northern Chile. See more »
One of the best Universal horror films of the 40s and a worthy follow-up to the 1932 original, even if it wasn't directly related to it and actually spun a series of its own. While in essence no more than a B-film, it's solidly made on all fronts: the plot, unlike that of its sequels, is fresh and exciting and it boasts four likable protagonists, as well as a wonderful trio of 'villains' - Eduardo Ciannelli (appearing briefly as the dying High Priest), George Zucco (as his evil successor, in one of his finest performances) and Tom Tyler (as the maimed but relentless revenge-seeking Mummy, who's as good in the role as Boris Karloff had been earlier and Christopher Lee would be in the 1959 Hammer remake, of this one more than the original). The film's first half features a healthy dose of comic relief which I found in no way distracting, as it had proved to be in other horror films of the period; in fact, this element only helps accentuate the effectiveness of the latter sections of the film which offer more standard thrills, culminating in a superb climax - where Kharis has to literally crawl for his life-preserving tana fluid!
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