In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and ... See full summary »
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »
A couple of comical, out-of-work archaeologists (Dick Foran and Wallace Ford) in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician (Cecil Kellaway) and his beautiful daughter (Peggy Moran), they set out into the desert only to be terrorized by a sinister high priest (George Zucco) and the living mummy Kharis (Tom Tyler) who are the guardians of Ananka^Òs tomb. Written by
Jeremy Lunt <email@example.com>
For the scenes in which the Mummy was seen in closeup or medium shots, Jack P. Pierce's painstaking makeup technique of gluing strips of cotton on Tom Tyler's face, to create deep wrinkles, was employed. But in long shots, Tyler wears a time-saving (and much more comfortable) rubber mask. See more »
When Marta says, "I'll fix him with my trick revolver," her lips do not move. See more »
Hey Steve, can a dame go crazy from being sawed in half too many times?
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THE MUMMY'S HAND is my favorite mummy film and easily the best in the Universal "Kharis" saga.
Dick Foran, Wallace Ford, Cecil Kellaway, and Peggy Moran make a very pleasant group of amateur explorers as they search out the tomb of Princess Ananka in Egypt. What they stumble upon instead was the first (in a now played-out) deadly mistake: a living mummy.
Kharis is a bandaged monstrosity kept alive by a high priest (George Zucco in his most sinister role) and is a protector for his long-lost love. When Zucco feeds him a fluid brewed from nine tana leaves, Kharis is kept stalking and dealing death to those who dared enter his lair.
Tom Tyler is for my money the best choice to portray the mummy. He creeps and crumbles perfectly, even gaining effect from his dark, staring eyes in chilling close-ups.
Some fans complain about the intrusive comedy during the film, and while I too am unforgiving of such practices, in this case I think they help the festivities rather than detract from them. All in all, THE MUMMY'S HAND remains one of the better efforts from the 1940's and definitely the best of the Kharis pictures.
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