Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro. Written by
Ed Stephan <email@example.com>
Basil Rathbone, being a well known fencer in his own right, was asked how well Tyrone Power did in their scenes in which stunt doubles were not used. Rathbone responded, " Tyrone Power could fence Errol Flynn into a cocked hat!" See more »
When Diego dines with the Quinteros, Inez asks him to show them "the new dance steps." He and Lolita then dance together, but somehow the sheltered young Lolita knows the dance perfectly. This doesn't make sense if it contains "new dance steps" that even society-mad Inez doesn't know. See more »
Don Diego Vega:
[speaking to his father]
I went directly from the ship to our old home. I met Senor Quintero and his charming wife. I found them very pleasant and agreeable.
Pleasant scorpions! Agreeable rattlesnakes!
See more »
Opening credits prologue: MADRID - when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ... See more »
I like to be an iconoclastic jerk sometimes, so whenever I'm asked to name the best superhero movie, I always say "The Mark of Zorro." Then I have to specify that I mean the Tyrone Power movie, not the Fairbanks one and certainly not the Banderas. Ah, elitism can be amusing sometimes...
Seriously, though, this is one heck of a motion picture. The best part is the pacing; it's deliciously slow, in the most effective way. Characters are developed fully, tensions heighten gradually, and just when you're on the verge of getting bored - BOOM! A fantastic chase scene or swordfight perfectly repays your patience. Well, my patience, anyway. Maybe you were bored the whole way through?
Tyrone Power is simply awesome in this flick. He's hilarious as the fey Don Diego, and he cuts an impressive figure as Zorro. It's easy to see that Batman was patterned on Zorro, as he also pretends to be a stupid playboy, but Bruce Wayne was *never* this cool.
Basil Rathbone makes a great villain, as always, and his close-quarters duel with Zorro is, as I'm sure you've heard, one of cinema's great action scenes (I think the confined setting actually enhances the suspense). Even J. Edward Bromberg, who plays a slightly dated and silly character, somehow manages to come across well - it's interesting to see his character come into his own as the main villain at the end of the movie.
Even the romance isn't a dud. Lots of amusing flirting goes on, and Linda Darnell certainly is easy on the eyes.
Why can't they make action flicks like this anymore? To paraphrase a certain famous political catchphrase, "it's the characters, stupid." Everybody in this movie is colorful and cool, and through them I get wrapped up in the plot. When the biggest complaint I have is a bit of rear-screen projection during a boat ride, you know the movie's almost perfect.
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