A physician on death row for a mercy killing is allowed to experiment on a serum using a criminals' blood, but secretly tests it on himself. He gets a pardon, but finds out he's become a Jekyll-&-Hyde.
Noble-born cad Denis (Stapley) has been tricked into a forced stay at the eerie manor of the Sire de Maletroit (Laughton), an evil madman who can't get over the death of his beloved, twenty... See full summary »
Dr. Leon Kravaal develops a potential cure for cancer, which involves freezing the patient. But an experiment goes awry when authorities believe Kravaal has killed a patient. Kravaal freezes the officials, along with himself. Years later, they are discovered and revived in hopes that Kravaal can indeed complete his cure. But human greed and weakness compound to disrupt the project. Written by
Jim Beaver <firstname.lastname@example.org>
Part of the Son of Shock package of 20 titles released to television in 1958, which followed the original Shock Theater release of 52 features one year earlier. This was also one of the 11 Columbia titles, the other 61 all being Universals. See more »
When Dr. Mason uses the "standard" method of reviving Dr. Kravaal, it doesn't appear to be anything more than placing him near a fire and putting blankets on him. He asks his nurse for "more coffee," but it's unclear what he's doing with the coffee which would help him resuscitate the doctor as Kravaal is unconscious and can't be drinking it. See more »
opening title card scroll:
Added to the many miracles performed by modern science that have accounted for the saving of thousands upon thousands of human beings, comes its newest and most modern discovery - frozen therapy. ¶Estimates of how long frozen therapy can produce a state of suspended animation range from days to years. But on the fact that disease can be arrested - that life can be prolonged, by freezing human beings in ice, the medical world agrees. ¶In research hospitals today, men and women are ...
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This little known gem from 1940 is impressive for a few reasons: first, it stands head and shoulders above most of the B movies of the era, largely due to a good script and a great performance from Boris Karloff. Also, while made in the midst of the Universal horror period, it demonstrates some of the best elements of that genre, however it also pre-figures the oncoming decade of sci-fi flicks of the 50s, but with a more intelligent, and mysterious, plot than most of the B sci-fi films that followed. It also incorporates some noir elements such as shadowy images, gun play, etc. The Man with Nine Lives is also known under the alternative title Behind the Door (which is actually more accurate).
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