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The Man Who Wouldn't Talk (1940)

 -  Crime | Drama  -  23 January 1940 (USA)
6.7
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Ratings: 6.7/10 from 30 users  
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A man involved in a crime (Nolan) kills his key witness by mistake and resigns himself to death. He changes his name so as not to harm his family. The law is not content with his ... See full summary »

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Title: The Man Who Wouldn't Talk (1940)

The Man Who Wouldn't Talk (1940) on IMDb 6.7/10

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Cast

Complete credited cast:
...
Joe Monday
Jean Rogers ...
Alice Stetson
Richard Clarke ...
Steve Phillips
Onslow Stevens ...
Frederick Keller
Eric Blore ...
Horace Parker
Joan Valerie ...
Miss Norton
...
Mrs. Stetson
Paul Stanton ...
Attorney Cluett
Douglas Wood ...
Walker
Irving Bacon ...
Paul Gillis
Lester Sharpe ...
Henri Picot (as Lester Scharff)
Harlan Briggs ...
Foreman in Jury
Elisabeth Risdon ...
Jury Member (as Elizabeth Risdon)
Renie Riano ...
Lilly Wigham
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Storyline

A man involved in a crime (Nolan) kills his key witness by mistake and resigns himself to death. He changes his name so as not to harm his family. The law is not content with his explanation, however. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

based on play

Taglines:

WHO is the man without a past?... WHAT secret sealed his lips?

Genres:

Crime | Drama

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Details

Country:

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Release Date:

23 January 1940 (USA)  »

Also Known As:

El valiente  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA High Fidelity Recording)

Aspect Ratio:

1.37 : 1
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Connections

Remake of The Valiant (1929) See more »

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User Reviews

 
A Big-Budget "B"!
21 August 2008 | by See all my reviews

Even by Fox's handsome standards, production values for this "B" from the Sol Wurtzel unit rate as commendably high. True, this unusual, compellingly off-beat murder/courtroom drama (partly scripted by Fox's ace Ellis-Logan team) is inclined to be a bit talky, but the acting is fine. Just look at that cast! The support players enjoy some real moments of glory here, particularly Irving Bacon as a swaggering raconteur, and Eric Blore mugging delightfully as a simpering servant.

My only complaint is that director David Burton, or film editor Alex Troffey, have a disconcerting habit of jarringly cutting into a full-face close-up from a profiled two-shot. In other respects, however, the direction is most efficient and the photography commendably crisp.


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